Alfonso Cuarón’s Gravity is a big movie–breathtaking in its scope and impressive in its vision. Most of the praise Gravity received upon its release focused on its visual effects and cinematography. (All of which undeniably deserved. . . the amount of work put into bringing Alfonso and Jonás Cuarón’s script to life is a feat unto itself.) The technical complexity overshadowed the screenplay, which is much simpler in comparison, but nevertheless an excellent example of suspenseful, cinematic writing. The Cuaróns’ story is stripped down to its essential elements: three named characters, not too many more speaking roles, a 70-page script turned into a 90-minute movie. Dr. Ryan Stone (Sandra Bullock at her best), an astronaut who gets stranded in space after the Explorer shuttle is unintentionally destroyed, just wants to survive and make it back to Earth alive. The narrative is broken up into smaller goals: get to a nearby…
The Pitch Contest reviews original film and TV series ideas for development with Script Pipeline’s executive team, prior to consideration for managers and production companies.
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