Often, a film cannot realize its potential without flawless casting–and such is the case with Dallas Buyers Club. But across a current landscape of adaptations, big-budget action, low-budget horror, remakes, remakes of remakes, and derivative premises meant solely to entertain, the McConaughey drama serves as proof that digging deeper into a story and its themes, […]
Produced screenplays and TV pilots from studios and networks. ALL scripts listed here are copyrighted by the original author/s and are (obviously) for educational purposes only.
It’s a show that defines an era. Only not our era. Mad Men drips with glossy 1960s charm–or shameless 1960s indulgence, depending on your perspective. A soap opera, ironically, for the 21st century. The series perhaps over-dramatizes the evolution of the mid-century advertising world, but offers something in terms of unique character development that breaks […]
For the lavish, and often-times hopelessly brutal, HBO show Game of Thrones, the pilot is surprisingly rather timid–a word no fan would quickly associate with the most epic television series in recent memory. The writing is direct and descriptive, lacking unnecessarily flourish, yet maintains a vivid sense of time and place without falling into the […]
Not only a stellar example of plotting and character setup, the script is a paradigm for style–quick-paced, vividly detailed, and absolutely compelling from scene to scene. Claire Danes’ incredible talent as an actress, the character of Carrie Mathison is so uniquely drawn, she almost carries the series on her back, creating a refreshing take on […]
On the surface, it’s a story about relationships and useless babbling about wine. Beneath the surface, it’s one of the most relevant character studies in the history of dramedies, touching upon so many issues plaguing the modern human condition it’s like one, big cinematic therapy session. In a way, Sideways changed how audiences perceived independent […]
Screenwriting 101 teaches you short dialogue is good dialogue. Brevity over talking heads. Dialogue-heavy scripts can only work if the dialogue is. . . well, good. Bridemaids fits the bill–and then some. The film was critically-acclaimed as one of the best in its genre, due in part to an all-star cast that helped (further) advance […]
It’s overwritten, far too long for a typical one-hour pilot, the writing itself is dense, the whole thing reads like a novel. . . and yet, it’s absolutely gripping. The pilot for Lost at first seems to defy everything you learned in TV Writing 101, but at the same time, gives the reader a clear […]