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2017 Great TV Show Idea Contest

December 10th, 2017 - Deadline

$35.00

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Winner Receives:
$1,000 | pitch development | long-term industry exposure

The 11th Great TV Show Idea Contest is looking for the next big television series–a story that puts a clever spin on the types of successful shows picked up by networks and digital outlets. Think of the evolution of TV programming: what’s next, what haven’t we seen yet, and what type of an idea holds the potential for a long-running series?

Accepted entries include loglines, synopses, “show bibles,” or video pitches. Completed pilot scripts are not reviewed, nor are entrants required to have a completed pilot.

For the winner, Script Pipeline provides additional development assistance to refine the pitch, the series “bible,” or help the writer draft a circulation-ready pilot. At that point, we connect the writer with top studio producers, including execs from Energy Entertainment (Extant)Good Fear Film + Management (Rings), Vinson Films (Intelligence), Madhouse Entertainment (The Ark), and other major companies looking for new concepts. Note that all entrants, including the winner and runner-up, retain the rights to their submission.

Since 2000, Script Pipeline has established relationships with hundreds of production companies, managers, and agents, resulting in $6 million in specs sold from previously undiscovered writers. The Great TV Show and Movie Idea Competitions look to not only increase that total, but push worthwhile stories into production.

Deadline: December 10th, 2017

Submissions also accepted via:

 


– NOTABLE SUCCESS STORIES –

Universal Buys Script Pipeline Contest Winner Spec for $3 Million

After introductions by Script Pipeline to Jake Wagner, Evan Daugherty sold Snow White & the Huntsman to Universal for $3 million. It marked one of the biggest studio spec sales in years and subsequently made Evan one of the hottest young writers in the industry. The film has grossed over $400 million worldwide.SWATH Poster

“Immediately after the competition, Script Pipeline introduced me to a manager, and the connection helped launch my professional screenwriting career.”
– Evan Daugherty (Rose Red, Divergent)

Shortly after the Script Pipeline screenwriting contest, Evan landed an assignment with Warner Bros. to rewrite an adaptation of He-Man, which led to the sale of SWATH.

Evan co-wrote an adaptation of the young adult novel Divergent for Summit Entertainment (Twilight). The film released March 2014 and stars Shailene Woodley (The Spectacular Now) and Academy Award-winner Kate Winslet.

DAUGHERTY_25293895After selling a pilot pitch, it was later announced Evan would be one of the writers and executive producers on an adaptation of the DC comic franchise Midnight Mass. for NBC and Five Ghosts for Syfy. Most recently, he was one of the writers on Teenage Mutant Ninja Turtles. The Michael Bay film starred Megan Fox and was released summer 2014. Evan is tapped to write and executive produce the event series Esmeralda for ABC Studios and signed on to pen the third installment of the GI Joe franchise for Paramount.

In March 2016, Disney gave the go-ahead on developing Rose Red, based on an original script by Justin Merz and a pitch by Evan that will serve as a companion piece to the original Snow White story.

Among all these projects, he’ll be making his directorial debut with Ink and Bone for Dimension Films, and as of February 2015, he will write Warner Bros. and MGM’s Tomb Raider reboot, starring Alicia Vikander (Ex Machina).

Watch the interview with Evan and Script Pipeline CEO Chad Clough

Read Evan’s Script Pipeline Interview

Tripper Clancy’s Contest-Winning Script in Production, Hired to Write Studio Features

Contest winner Tripper Clancy signed with a Script Pipeline partner following a top-four finish in the contest. A few months after the screenwriting competition ended, 20th Century Fox selected Tripper for their feature comedy writing team to help develop new material.

In September 2013, he sold the comedy The Ambassadors, and Tripper’s buddy-comedy pitch Winter Break was picked up by QED International as the last spec sale of the year. In early 2014, he was hired to write the animated comedy Shedd for Paramount, and in 2016 the comedy Hacker Camp for Hasbro.

“The impact Script Pipeline had on my writing career is extraordinary. Winning the contest directly led to my new representation, which in turn led to working with studios such as 20th Century Fox and Paramount.”
– Tripper Clancy (Henry the SecondStranded)

20thFox Sony   Paramount

Fox picked up Tripper’s spec Stuber in April 2016, acquiring the script for the mid-six figures. The screenplay is based on an idea developed by Tripper and his manager Jake Wagner (Good Fear Film + Management). Announced in May 2017, Tripper will be adapting the acclaimed novel The Art of Fielding by Chad Harbach.

In addition, his contest-winning script Henry the Second is slated for production–Shawn Levy’s 21 Laps (The Spectacular Now) and 3311 Productions to produce.

Screenwriting Contest Winner “Militia” in Production

Jeffrey Dean Morgan to star in Militia, winner of the 2015 Script Pipeline Screenwriting Competition. Writer Henry Dunham found representation less than a month after contest results were announced, signing with industry partner Madhouse Entertainment.

Ralph Ineson (The Witch) and Jack Huston (American Hustle) join Morgan in the cast. Dunham, repped by UTA, will also direct. Cinestate and XYZ films are producing the crime/thriller.

“Without the momentum my win gave me, I don’t know where my screenplay would be. I owe Script Pipeline for everything.”
– Henry Dunham (Militia)

The script was a unanimous pick amongst Script Pipeline staff for top honors in the 2015 contest. Both CEO Chad Clough and Senior Executive Matt Joseph Misetich pegged the screenplay as a fresh, relevant spin on the genre, and an unquestionably strong calling card for the up-and-coming Dunham.

Robert De Niro Stars in Script Pipeline Contest-Winning Script

The Script Pipeline contest-winning screenplay Shrapnel was turned into the film Killing Season, starring Robert De Niro and John Travolta. Corsan and Millennium Films produced the action/thriller, which brought a new plot to the project during development.

– View more news in the Success Stories section above –

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Every time Script Pipeline announces contest winners and finalists, I put those scripts at the top of my reading list. It's one of the most well-respected contests around--the entire team does such an impressive job.

Andrew Kersey, Manager (Kersey Management)

 

 UTA        Disney      NBC

  • Jeffrey Dean Morgan (The Walking Dead) to star in Militia, winner of the 2015 Script Pipeline Screenwriting Competition. Writer Henry Dunham found representation less than a month after contest results were announced, signing with industry partner Madhouse Entertainment.
  • The Devil in Evelyn, winner of the 2016 First Look Project (Teleplay), was picked up for development by Mandalay Television in September 2017. Script Pipeline set up the writers, brothers Ben and Tyler Soper, with meetings after extensive circulation to Pipeline’s industry network.
  • In February 2017, Script Pipeline partner Bohemia Group Originals (BGO) optioned two Screenwriting and TV Writing Competition finalists: Bradley Stryker’s action/thriller The Dragon Run and Diana Wright’s comedy pilot Franchise. The following month, they optioned Nadeem Siddiqui’s romcom Slut, also a 2016 Screenwriting finalist.
  • Nir Paniry’s Princesses to be produced by Grey Matter Productions and Disney. Joachim Røenning (Pirates of the Caribbean: Dead Men Tell No Tales) directing. Nir placed second in the Script Pipeline contest with his action screenplay The Coyote.
  • Kevin Jones, winner of the Great TV Show Idea Competition and a three-time Script Pipeline Screenwriting Competition finalist, signed with Jake Wagner (Good Fear) and UTA in 2016. Script Pipeline helped develop his contest-winning pitch into a pilot script, which is being shopped to major producers and networks.

“I’ve personally signed a number of writers from the Script Pipeline competitions, including Evan Daugherty and Tripper Clancy, and immediately review any material they send my way.”
– Jake Wagner, Manager (Good Fear)

  • TV Writing Competition finalist Dani Messerschmidt (Hello, I Live Here) signed with John Zaozirny at Bellevue Productions in March 2017. Dani was introduced to reps from Bellevue at a Script Pipeline writer/industry event months prior.
  • Screenwriting Contest finalist Max Martini directing his feature Will Gardner starring Martini in the lead role alongside an all-star cast including Elisabeth Röhm (American Hustle), Lily Rabe (American Horror Story), Dermot Mulroney (August: Osage County), and Gary Sinise (CSI: NY). Martini’s company, Mona Vista Productions, will be donating 30% of the film’s profits to charity.
  • Producer Michael Klein (Dobre Films) picked up the sci-fi/action feature Moon Rush by Matt O’Reilly. Script Pipeline connected O’Reilly, who has other projects in various stages of development, with Dobre at the beginning of 2017.
  • Howard Jordan (Family Be Like), runner-up in the TV Writing Competition, signed with Madhouse Entertainment and Paradigm in March 2017.
  • First Look Project contest winner Kristi Hall is developing a feature script with Kersey Management. Script Pipeline execs worked with Kristi for over a year on a high-concept action/comedy screenplay before sending it to manager Andrew Kersey.
  • Six years after winning the 2010 Screenwriting Competition, Debbie Chesebro and Tyson FitzGerald optioned their screenplay Prom Queen to Classy Films as a result of Script Pipeline’s long-term facilitation.
  • Andy Tennant (Hitch, Sweet Home Alabama) set to direct the Script Pipeline finalist screenplay Everything’s Gonna Be Okay, written by Jen Goldson. It will be Jen’s third produced film after meeting execs at the 2015 Script Pipeline writer/industry event, joining the romcom Off the Menu, directed by Jay Silverman and starring Santino Fontana (Crazy Ex-Girlfriend) and Dania Ramirez (Devious Maids), and the thriller Snatched, produced by Nasser Entertainment. Off the Menu is set for a 2018 release and will screen at the Toronto International Film Festival (TIFF).
  • TV Writing Competition Runner-up Laura Bensick (The Mother) signed with UTA less than a few weeks after placing in the 2016 contest.

“Script Pipeline helped me develop my pilot, found me representation, and played a key role in getting a very ambitious TV project to some of the top producers, showrunners, and even networks. Their continual support and guidance has been invaluable. . . they are second to none.”
– Kevin Jones, 2-Time Script Pipeline Screenwriting Finalist / TV Show Idea Winner

  • Android, written by Script Pipeline Fellowship selection Matt O’Reilly, attached Aaron Paul (Breaking Bad, The Path) in October 2016. Olga Kurylenko (Quantum of Solace) set to co-star in the sci-fi/thriller and had been attached since 2015. Niall Johnson (White Noise) directing, with Infinite Studios and Picture Films producing.
  • Screenwriting finalist Andrew Martin Robinson (Cut Its Head Off) signed with Peter Katz (Story Driven) in August 2016–less than a week after his horror screenplay was circulated to Script Pipeline’s industry network.
  • Finalist Matt Altman signed with APA and Parallax Talent Management. He and co-writer David Matalon sold their feature script The Feud to Vandal Entertainment, and Matt later sold his spec Sam & Liz: A Killer Love Story to Relativity Media, and in August 2016, the script Red Widow to studio STX Entertainment.
  • Contest winner Jason Kaleko (Snatch) signed with Energy Entertainment. He was previously developing feature and TV material with Script Pipeline execs.
  • Screenwriting winner Tyler Burton Smith (Henchman) signed with WME and Grandview. He has multiple projects in development with major production companies, including Spooked, with Dan Lin producing, and Five Nights at Freddy’s, which he’s co-writing with director Gil Kenan (Poltergeist).
  • Precious Cargo, a finalist in the 2010 Script Pipeline Screenwriting Competition written by Max Adams, was released in April 2016. The film stars Bruce Willis, Mark-Paul Gosselaar, and Claire Forlani.
  • Script Pipeline “Recommend” Micah Barnett sold a one-hour drama, Ricochet, to NBC, a few years after finding management through a Script Pipeline industry contact.

“I’ve been amazed at the quality and depth of the development my idea has received since winning the Great TV Idea Contest. I know my concept in a richer, deeper way than I did before thanks to Script Pipeline.”
– Bryce McLellan, Great TV Show Idea Winner (Verge)

  • Screenwriting Finalist Craig Weeden and veteran comic writer/inker Jimmy Palmiotti (Ultimate Spider-man, Jonah Hex) optioned an adaptation of Painkiller Jane to Solipsist Films (Sin City: A Dame to Kill For). The project is in development.
  • The Living Wake, Script Pipeline’s first produced film, starring Academy Award-Nominee Jesse Eisenberg (The Social Network) and comedian Mike O’Connell, was released theatrically in 2010, eliciting from Variety: “A stunning feature debut. . . . Eisenberg is note-perfect. Supporting ensemble couldn’t be more colorful.”
  • Brian Watanabe’s “Recommend” script Operation Endgame was produced with Zach Galifianakis (The Hangover), Adam Scott, Ellen Barkin, Ving Rhames, Maggie Q, Bob Odenkirk (Better Call Saul), and an ensemble cast. Script Pipeline CEO and producer Chad Clough first brought the screenplay to Sean McKittrick (Donnie DarkoBad Words) at Darko Entertainment.
  • Screenwriter Rob Nelms was hired to pen the script Between after introductions to a director by Pipeline’s Chad Clough. The film premiered at Sundance and later aired on Lifetime.
  • Script Pipeline Screenwriting Contest winner Slammin‘ sold to Warner Bros. for six-figures in 2003. It was the competition’s first major success story, and the first Script Pipeline writer to sell a spec for over six-figures.

Many other writers have optioned their work, found paid writing jobs, produced their films, and garnered management or agency representation through Script Pipeline’s exhaustive process of industry facilitation for top screenplays and pilots.

View more Script Pipeline success stories

 

Script Pipeline’s criteria is based primarily on the overall originality and marketability of the concept, preferably hitting a “Goldilocks zone” between commercial/mainstream and artistic/visionary.

Although we’re extremely strict on judging, all types of genres, styles, and premises are accepted (must be for a scripted series, not reality or game show). In the past, selected ideas have ranged from character-driven dramatic series, to sitcoms and animation, to true stories. Anything unique is fair game. Come up with a fresh twist on an old concept, and you’ll have an excellent shot at getting selected.

Industry contacts reviewing winner includes:

For industry execs interested in reviewing Script Pipeline competition winners, email us or complete the industry request form here. We will only consider applicants who are active producers, agents, managers, or directors.


Grand Prize Winner (1) – Announced February 1st, 2018:

  • $1,000
  • Development sessions with Script Pipeline executives to get your concept ready for circulation
  • Assistance in completing a TV pilot script (depending on the writer’s experience level)
  • Exposure to producers and other companies for potential development
  • Review of additional pitches and material

Runner-up – Announced February 1st, 2018:

  • Extended development with Script Pipeline’s executives to fine-tune your pitch
  • Consideration for industry circulation


We accept pitches for:

  • Scripted television series in ANY genre
  • Original, standalone mini-series (EX: Fargo, True Detective)
  • Webseries pitches intended to be adapted for cable or network television
  • Note: Pitches for reality TV and game shows are no longer accepted. Must be for a scripted series.

Written or video submissions accepted. For written pitches:

  • A two-sentence logline to a full treatment–entirely up to you on how to best present your idea. We don’t judge on format, we judge on the idea itself. Supplemental materials (illustrations, etc.) are also allowed. The best format is usually comprised of a logline, half-page to a page-long summary, and any other notes or comments on the originality of the premise.
  • Please do not send full scripts–summaries ONLY. Pitches may be emailed direct or uploaded.
  • Remove your name and contact information from the documents prior to submitting.
  • Longer submissions are judged on the SAME criteria as short ones, so whatever length you think is best.

For video pitches:

  • Submit a link to the video after registration by emailing idea@scriptpipeline.com. We prefer it be a private link on YouTube, Vimeo, or any other video hosting site or your personal website. *make sure to include the password, if private
  • Videos can be any length, but shorter is typically better. Web series are also accepted, but our judges will only review the first episode and required pitch materials.

General rules:

  • Concept must be for a scripted television series or mini-series.
  • Adaptations from your own published or produced work (e.g. a graphic novel) are accepted.
  • It is highly advised that you register your concept with the WGA prior to submitting, however it is not required. Script Pipeline will not share your idea with anyone unless you’re chosen as a finalist and give us explicit permission to do so.
  • Previous Script Pipeline writers and former Great TV Show Idea contest entrants are welcome to submit.
  • Goes without saying, but the concept must be WHOLLY ORIGINAL and not based on an existing series. Even if you have the most incredible spinoff of Game of Thrones, think of your own original story. Spec scripts of existing shows may be submitted to our TV Writing Competition.

View complete rules and guidelines here

 

WHAT ARE THE DEADLINE DATES AND ENTRY FEES?

Regular deadline is December 10th, 2017. There will be a late deadline, but writers are encouraged to submit by the 10th.

HOW SHOULD I FORMAT MY ENTRY?

We’ll accept anything from a logline (as brief as a sentence) all the way up to a full treatment with supplemental materials. We’ll also review video pitches through a private link or as an attached file. Whatever format you prefer that best exemplifies your idea. Also remove your name and contact information from the materials prior to submitting.

CAN I INCLUDE MY NAME ON THE TITLE OR COVER PAGE?

For entrants whose pitch documents have a cover page, please exclude your name and email. Should only be title of the project.

WILL I BE DISQUALIFIED FOR A FORMATTING REASON?

No. If for some reason we can’t open the file, or link, or there’s an issue with the entry itself, we’ll contact you immediately, and you’ll be able to re-send.

DO I GET FEEDBACK ON MY ENTRY?

For all contest entrants, we offer an exclusive discounted rate on Treatment / Pitch Notes that cover everything from plot and concept to tone and character. A sample can be found here. Additional notes are optional and are kept separate from the actual judging process.

IF I WIN, DO I NEED THE COMPLETED PILOT SCRIPT?

Not at all. If you do, great, but it won’t affect the outcome of the contest. We’re only looking for original, unique concepts. No TV writing experience necessary. Our Director of Development and executive team will assist in refining the pitch and helping you get started on the script itself.

CAN I SUBMIT MORE THAN ONE IDEA FOR THE SINGLE FEE?

There is no limit to the number of entries. Each idea, however, is a separate entry fee.

WHAT IF THE IDEA IS FROM MY EXISTING SCRIPT OR NOVEL? AM I STILL ELIGIBLE?

Yes, as long as the idea is original (i.e. your own creation).

IS MY IDEA PROTECTED? WILL I RETAIN THE RIGHTS TO MY IDEA?

All rights remain with the writer, regardless of the contest results, and no one outside of Script Pipeline’s small team of judges will review your entry. For the winner, we will not send out their winning idea until we have their consent.

IS THE COMPETITION OPEN TO INTERNATIONAL WRITERS?

Yes, absolutely. Anyone worldwide can enter.

Email our contest coordinator with any other questions.