Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s singular, intensive process of long-term writer-to-industry facilitation.

Some major success stories over the years …

In a moment that turned a new spotlight on specs from unproduced writers, Screenwriting Contest winner Evan Daugherty sold Snow White and the Huntsman to Universal for $3 million, one of the biggest spec sales of all time. He later wrote Divergent and Ninja Turtles, amongst other features for studios. His contest-winning script Killing Season was produced and starred Robert De Niro.

Screenwriting Contest winner Tripper Clancy found management with a Script Pipeline partner in 2010, and over the course of a decade, he sold a handful of specs and pitches, was hired to write multiple studio projects, and his action-comedy Stuber, starring Dave Bautista and Kumail Nanjiani, sold to Fox for the mid-six figures. Tripper was co-created the Roku series Die Hart.

Years later, another historic spec sale followed from an unproduced writer: Screenwriting finalist Crosby Selander sold his script Bring Me Back to Legendary for seven figures as part of a bidding war. Crosby signed with Kaplan/Perrone after Pipeline circulation.

And Helen Gaughran’s Visitation, winner of the Script Pipeline Screenwriting Competition and First Look Project, went into production in January 2023, starring Olivia Cooke (House of the Dragon, Sound of Metal) and Isla Johnston (The Queen’s Gambit).

Recently, Script Pipeline introductions have resulted in writers landing management and agency rep at UTA, Alibi Management, Kaplan/Perrone, Bellevue, and other top companies. Several finalists and winners have made numerous Black Lists, including Cauliflower by Daniel Jackson (2021) and Pure by Catherine Schetina (2022), both snagging the #1 spot, and 2022 saw a record four Pipeline contest selections on the list.

Learn about more writers connected to industry by Script Pipeline.

Script Pipeline searches for new material and develops writers on a daily basis. Over 20,000 screenplays, pilots, and original pitches are reviewed on average annually.

*Industry requests for Script Pipeline material can be made via our Scout portal.

Chadwick Clough

Founder

In 1999, while working in feature film development, Chad saw a flaw in the process: hundreds of spec scripts would be left unread in production company and studio offices. He envisioned a matchmaking service between up-and-coming writers and film executives to better serve both parties. For the writer, their material could be reviewed by an impartial third party, while the industry could receive quality projects via a trusted filter. In 2000, Pipeline Media Group (formerly Script Pipeline Into Motion Pictures) was formed and has since offered annual writing competitions and other services to discover new writers for film and television.

Chad played a critical role in the funding of two independent features. The Living Wake, starring Academy Award-winner Jesse Eisenberg (The Social Network), garnered Script Pipeline's first production company credit and received critical praise, with Variety calling it a "stunning feature debut. . . . Eisenberg is note-perfect." A year later, Chad produced the action/comedy Operation Endgame, a screenplay originally submitted through Script Pipeline and later produced on a $5 million budget. The film featured an A-list cast including Zach Galifianakis (The Hangover), Adam Scott (Parks and Rec), Ellen Barkin, and Bob Odenkirk (Breaking Bad, Better Call Saul). Chad has also served as a creative consultant on other independent films.

Over the last several years, Chad has been instrumental in creating a synergy between writers with proper representation and production contacts, such as Robert Nelms on the film Between and connecting Evan Daugherty (Snow White and the Huntsman, Divergent) with manager Jake Wagner (Good Fear Film + Management). In total, Chad has assisted over 100 writers sign with agents, finds reps, and sell their scripts.

Beyond overseeing Pipeline Media Group, Chad wrote Creative Screenwriting's "Production Spotlight" article for six years. He has led seminars at the Screenwriting Expo in Los Angeles, lectured on screenwriting and entrepreneurship at the University of Southern California and UCLA, acted as a USC mentor, and has been involved with the Big Brother program since 2002.

Through the Circus of Joy at the Hollywood Improv and other venues, Chad has promoted comedy shows across Los Angeles, which have featured Drew Carey, Daniel Tosh, Natasha Leggero, Chris Fairbanks, Brian Keith Etheridge, and actor/comic Craig Robinson (The Office). Circus of Joy was later rated one of the top monthly comedy shows in Los Angeles by LA Weekly.

With Script Pipeline, Chad's goal to assist the budding writer with an array of resources on how to improve their craft and give them exposure in a highly competitive marketplace continues, as the company is one of the leading outlets for writers to connect with Hollywood.

    Matt Joseph Misetich

    Senior Executive

    Currently a Senior Executive and Partner at Pipeline Media Group, Matt oversees all divisions, including Script, Book, and Film, as well as the management of Pipeline Artists and the implementation of future Pipeline entities.

    His industry career started in 2002 as an intern for a talent manager, then as an intern in film development in 2003. And as an intern script reader through all of 2004. . . which ended in 2005—where had landed another prestigious unpaid internship. After several freelance script reading jobs, plus a brief but legitimately educational time in international distribution and media consulting, he began his tenure with Pipeline in 2006, working as a reader until early 2008 when he took over as manager.

    In that time, he’s helped launch the careers of several Pipeline writers, including Evan Daugherty (Snow White and the Huntsman), Tripper Clancy (Stuber), Crosby Selander (Bring Me Back), and others who have turned to Pipeline for guidance in their creative aspirations. It’s estimated he’s reviewed over 30,000 pitches, screenplays, pilots, books, and short films over the last two decades. Which he believes has to be a meaningless record of some sort.

    He's based in Los Angeles and apologizes for whatever nonsense he posts on Twitter.

    • Email Matt Joseph Misetich

    Jeanne Veillette Bowerman

    Executive of Operations

    Jeanne Veillette Bowerman is an Executive at Pipeline Media Group, Editor-in-Chief of Pipeline Artists, co-host of the Pipeline Artists og podcast, Reckless Creatives, former Editor-in-Chief of Script magazine and a former Senior Editor at Writer's Digest, where she wrote the regular screenwriting column, Take Two, for Writer's Digest print magazine. Recognized as one of the "Top 10 Most Influential Screenwriting Bloggers," her Script magazine column "Balls of Steel" was selected as recommended reading by Universal Writers Program. She is also Co-Founder of Writers Strong as well as Co-Founder and moderator of the weekly Twitter screenwriters’ chat, #Scriptchat, and wrote the narrative adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, with its author, Douglas A. Blackmon, former senior national correspondent of The Wall Street Journal. If you want a free Pipeline mug, you have to ask Matt. She doesn't have that much power.

    • Email Jeanne Veillette Bowerman

    Michael Owens

    Senior Director of Development

    Michael Owens is a screenwriter from Long Beach, California, and graduated from the University of Southern California’s School of Cinematic Arts with a degree in screenwriting. As a writer, Michael tends to pair a progressive worldview with character-driven stories, and he currently reviews screenplays and other creative material for Pipeline Media Group as a Senior Development Executive.

    • Email Michael Owens

    Bri Janes

    Director of Management & Development

    Bri Janes is a proud bisexual writer, hailing from Portland, Oregon and the San Francisco Bay Area. She works as a development executive and contest coordinator with Script Pipeline, as well as a freelance story analyst. She started her screenwriting career at the age of 16, when she decided that being a business major in college required too much math. After school, she would ride the BART into Berkeley every week to take her first screenwriting classes from Terrel Seltzer (“One Fine Day”), and went on to graduate magna cum laude from Chapman University with dual degrees in Screenwriting (B.A.) and Television Broadcast Journalism (B.F.A.), She has placed as a finalist in two contests—2016 Script Pipeline TV Writing with her pilot “Cartella,” and 2019 Screencraft Pilot Launch with “Iconic”—as well as a semifinalist in 2017 Slamdance with her feature, “Hide your Fires.” In addition to the four pilots and two features she’s already written, she has three features and a pilot in development on spec.

    Roni Brown

    Client Relations & Development Executive

    Over the span of 14 years, Roni Brown has worked on a plethora of network productions for ABC, Adult Swim, TLC, NBC, HULU, Netflix, and has served on the writing staff for Black Dynamite, the animated series on Adult Swim, LaGolda for Discovery Kids, Daniel Spellbound for Netflix, Math Party for Netflix/Jim Henson Studios and more!

    With her versatile production and writing experience Roni is looking forward to continue writing and producing for live action and animated projects.

    Michelle Domanowski

    Management & Development Executive

    Based in the Seattle area, Michelle Domanowski manages the daily operations for the Script and Film divisions as a Management & Development Executive. She reviews scripts for Pipeline writers, and she is a contributor to Pipeline Artists.

    Michelle earned her BFA in Visual Arts at Cornish College of the Arts in Seattle. During this time, she took classes in almost every art form—drawing, painting, printmaking, sculpture, photography, video, directing, and playwriting. She also worked as a Writing Center consultant, during which she performed over 150 in-person and online consultations with writers.

    After discovering her passion for screenwriting, Michelle decided to pursue an MFA in Screenwriting at Florida State University, which afforded her the opportunity to gain teaching and administrative experience as a graduate teaching assistant. After graduation, she worked as a script reader for Shore Scripts briefly before joining the Pipeline Media Group team.

    Michelle writes sci-fi with powerful roles for women. Her lifelong rivalry competing with her high-achieving twin sister has given Michelle unique insight into female jealousy, shame, and resentment. She’s passionate about writing women characters who grapple with these emotions in alternate universes.