Currently a Senior Executive and Partner at Pipeline Media Group, Matt oversees all divisions, including Script, Book, and Film, as well as the management of Pipeline Artists and the implementation of future Pipeline entities.

His industry career started in 2002 as an intern for a talent manager, then as an intern in film development in 2003. And as an intern script reader through all of 2004. . . which ended in 2005—where had landed another prestigious unpaid internship. After several freelance script reading jobs, plus a brief but legitimately educational time in international distribution and media consulting, he began his tenure with Pipeline in 2006, working as a reader until early 2008 when he took over as manager.

In that time, he’s helped launch the careers of several Pipeline writers, including Evan Daugherty (Snow White and the Huntsman), Tripper Clancy (Stuber), Crosby Selander (Bring Me Back), and others who have turned to Pipeline for guidance in their creative aspirations. It’s estimated he’s reviewed over 30,000 pitches, screenplays, pilots, books, and short films over the last two decades. Which he believes has to be a meaningless record of some sort.

He's based in Los Angeles and apologizes for whatever nonsense he posts on Twitter.

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Jeanne Veillette Bowerman is an Executive at Pipeline Media Group, Editor-in-Chief of Pipeline Artists, co-host of the Pipeline Artists og podcast, Reckless Creatives, former Editor-in-Chief of Script magazine and a former Senior Editor at Writer's Digest, where she wrote the regular screenwriting column, Take Two, for Writer's Digest print magazine. Recognized as one of the "Top 10 Most Influential Screenwriting Bloggers," her Script magazine column "Balls of Steel" was selected as recommended reading by Universal Writers Program. She is also Co-Founder of Writers Strong as well as Co-Founder and moderator of the weekly Twitter screenwriters’ chat, #Scriptchat, and wrote the narrative adaptation of the Pulitzer Prize-winning book, Slavery by Another Name, with its author, Douglas A. Blackmon, former senior national correspondent of The Wall Street Journal. If you want a free Pipeline mug, you have to ask Matt. She doesn't have that much power.

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Bri Janes is a proud bisexual writer, hailing from Portland, Oregon and the San Francisco Bay Area. She works as a development executive and contest coordinator with Script Pipeline, as well as a freelance story analyst. She started her screenwriting career at the age of 16, when she decided that being a business major in college required too much math. After school, she would ride the BART into Berkeley every week to take her first screenwriting classes from Terrel Seltzer (“One Fine Day”), and went on to graduate magna cum laude from Chapman University with dual degrees in Screenwriting (B.A.) and Television Broadcast Journalism (B.F.A.), She has placed as a finalist in two contests—2016 Script Pipeline TV Writing with her pilot “Cartella,” and 2019 Screencraft Pilot Launch with “Iconic”—as well as a semifinalist in 2017 Slamdance with her feature, “Hide your Fires.” In addition to the four pilots and two features she’s already written, she has three features and a pilot in development on spec.

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Over the span of 14 years, Roni Brown has worked on a plethora of network productions for ABC, Adult Swim, TLC, NBC, HULU, Netflix, and has served on the writing staff for Black Dynamite, the animated series on Adult Swim, LaGolda for Discovery Kids, Daniel Spellbound for Netflix, Math Party for Netflix/Jim Henson Studios and more!

With her versatile production and writing experience Roni is looking forward to continue writing and producing for live action and animated projects.

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Ruth Sabin’s career originated on set. As one of the few female cinematographers in the Texas indie scene, Ruth crewed, DP’d and lit dozens of short films and docs across the southwest, including the feature films Endings (2010) and Where We Started (2013) by award-winning director Christopher J. Hansen. Selected to represent her university, Ruth competed in several film festivals throughout her college career and won the New Orleans Pitching Contest (2012), earning financial support for future projects and invaluable experience in the art of pitching, which she has used in support of other writers in their own written and verbal pitches. After earning an MA in Film & TV, Ruth moved to Los Angeles and picked up the screenwriting side of the entertainment industry. Ghostwriting content in the sci-fi genre was the first step in that transition---networking in small writers’ groups and events for gigs. That networking grew into a sincere appreciation for the writing community and all the support it offers, a career of over 1700 creative consultations with writers and an ongoing creative executive role at Pipeline Media Group.

Relocating to Atlanta, Ruth became part of a growing team to expand Pipeline into multiple industry hubs, following the trend of writers having access and opportunity in the entertainment world despite being located outside of Los Angeles.

Her current writing ambitions have taken a new turn into children’s books and animation. Another step in a wildly fun and eclectic journey in the visual arts.

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Based in the Seattle area, Michelle Domanowski manages the daily operations for the Script and Film divisions as a Management & Development Executive. She reviews scripts for Pipeline writers, and she is a contributor to Pipeline Artists.

Michelle earned her BFA in Visual Arts at Cornish College of the Arts in Seattle. During this time, she took classes in almost every art form—drawing, painting, printmaking, sculpture, photography, video, directing, and playwriting. She also worked as a Writing Center consultant, during which she performed over 150 in-person and online consultations with writers.

After discovering her passion for screenwriting, Michelle decided to pursue an MFA in Screenwriting at Florida State University, which afforded her the opportunity to gain teaching and administrative experience as a graduate teaching assistant. After graduation, she worked as a script reader for Shore Scripts briefly before joining the Pipeline Media Group team.

Michelle writes sci-fi with powerful roles for women. Her lifelong rivalry competing with her high-achieving twin sister has given Michelle unique insight into female jealousy, shame, and resentment. She’s passionate about writing women characters who grapple with these emotions in alternate universes.