2017 TV Writing Contest

Early Deadline - March 1st, 2017


Contest Options


Product Description


Early Deadline: March 1st, 2017 – $50/entry
*writers may register at any time and submit the script later

Winner Receives:
$15,000 | long-term industry circulation | consultations with execs
(see Awards for more details)

The 10th Annual 2017 Script Pipeline TV Writing Contest is searching for extraordinary television writers and the best unproduced pilots. As the community of writers migrating to TV has grown, the level of talent has skyrocketed. And with the market expanding every year, the demand for new writers and content is higher than ever before.

Facilitating connections between new writers and leading TV producers, managers, and agencies has proven remarkably successful, with numerous Script Pipeline writers finding elite representation and gaining crucial introductions to otherwise impossible-to-reach industry execs. So far, $6 million in screenplays and TV pilots have been sold by competition finalists and “Recommend” writers since 2003. Last year, over 10,000 screenplays, pilots, and pitches were reviewed across all competitions and services, making Script Pipeline one of the leading companies in the world receiving unproduced material.

Finalists are given exposure to Script Pipeline’s industry partners, approximately 200 qualified contacts, and the following:

  • $15,000 to winner, $1,500 to runner-up
  • Consultations with Script Pipeline’s Director of Development and other execs
  • Personal introductions to managers, producers, agents, and others searching for new TV material, tailored to each individual project
  • Additional material review for potential circulation
  • Long-term circulation and development for all finalists (and select semifinalists)
  • Exclusive invitations to private writer/industry events hosted by Script Pipeline

Our intent: to circulate exceptional material, launch careers, and push scripts closer to production.

Registration also accepted via. . . FilmFreeway     WAB


Script Pipeline Contest Winner Sells Spec for $3 Million, Development Network Series

After introductions by Script Pipeline to partner Jake Wagner, Evan Daugherty sold Snow White & the Huntsman to Universal for $3 million. It marked one of the biggest studio spec sales in years and subsequently made Evan one of the most in-demand young writers in the industry. The film has grossed over $400 million worldwide and spawned the 2016 film The Huntsman.

ABC          Uni

Evan co-wrote an adaptation of the young adult novel Divergent for Summit Entertainment (Twilight). The film released March 2014 and stars Shailene Woodley (The Spectacular Now) and Academy Award-winner Kate Winslet.

“Immediately after the competition, Script Pipeline introduced me to a manager, and the connection helped launch my professional screenwriting career.”
– Evan Daugherty (Divergent, Snow White and the HuntsmanTeenage Mutant Ninja Turtles)

After selling a pilot pitch, it was later announced Evan would be one of the writers and executive producers on an
Disneyadaptation of the DC comic franchise Midnight Mass. for NBC and Five Ghosts for Syfy. He was one of the writers on Teenage Mutant Ninja Turtles (2014) and is tabbed to write and executive produce the event series Esmeralda for ABC Studios.

In March 2016, Disney gave the go-ahead on developing Rose Red, an original script from Justin Merz and a pitch by Evan that will serve as a companion piece to the original Snow White story.

Among all these projects: he’ll be making his directorial debut with Ink and Bone for Dimension Films, will write Warner Bros. and MGM’s Tomb Raider reboot starring Alicia Vikander (Ex Machine), and is on board Hulu’s Myst series, based on the popular computer game.

Watch interview with Evan and Script Pipeline CEO Chad Clough

Read Evan’s Script Pipeline Interview

Tripper Clancy Sells Screenplay to Fox, Writing Comedy for Sony and Hasbro

Contest winner Tripper Clancy signed with a Script Pipeline partner following a top-four finish in the contest. A few months after the screenwriting competition ended, 20th Century Fox selected Tripper for their feature comedy writing team to help develop new material.

In September 2013, he sold the comedy The Ambassadors. Tripper’s buddy-comedy pitch Winter Break was picked up by QED International as the last spec sale of the year, and in early 2014, he was hired to write the animated comedy Shedd for Paramount.

“The impact Script Pipeline had on my writing career is extraordinary. Winning the contest directly led to my new representation, which in turn led to working with studios such as 20th Century Fox and Paramount.”
– Tripper Clancy (Henry the SecondStranded)

20thFox Sony   Paramount

In addition to the action-adventure comedy Stranded for Sony Pictures, with Kevin James (Grown Ups, The King of Queens) attached to star, Tripper is writing Hacker Camp for Hasbro.

Meanwhile, as of October 2015, his contest-winning script Henry the Second is slated for production by summer 2016–Shawn Levy’s 21 Laps (The Spectacular Now) and 3311 Productions to produce.

Fox picked up Tripper’s spec Stuber in April 2016 as well, acquiring the script for the mid-six figures. The screenplay is based on an idea developed by Tripper and his manager Jake Wagner (Good Fear Film + Management).

Robert De Niro Stars in Script Pipeline Contest-Winning Script


The Script Pipeline contest-winning screenplay Shrapnel was turned into the film Killing Season, starring Robert De Niro and John Travolta. Corsan and Millennium Films produced the action/thriller, which rehashed the original plot during development. It was released in 2013.

– View more news in the Success Stories section above –

 UTA        WB       NBC

  • Jeffrey Dean Morgan (The Walking Dead) to star in Militia, winner of the 2015 Script Pipeline Screenwriting Competition. Writer Henry Dunham found representation less than a month after contest results were announced, signing with industry partner Madhouse Entertainment.
  • In February 2016, Script Pipeline partner Bohemia Group Originals (BGO) optioned two Screenwriting and TV Writing Competition finalists: Bradley Stryker’s action/thriller The Dragon Run and Diana Wright’s comedy pilot Franchise.
  • Kevin Jones, winner of the Great TV Show Idea Competition and a three-time Script Pipeline Screenwriting Competition finalist, signed with Jake Wagner (Good Fear) and UTA in 2016. Script Pipeline helped develop his contest-winning pitch into a pilot script, which is being shopped to major producers and networks.
  • Six years after winning the 2010 Screenwriting Competition, Debbie Chesebro and Tyson FitzGerald optioned their screenplay Prom Queen to Classy Films as a result of Script Pipeline’s long-term facilitation.
  • 2015 Screenwriting Contest winner Henry Dunham signed with Madhouse Entertainment and UTA less than a month after Script Pipeline announced results. His winning script Militia is currently in pre-production and made the 2015 Blacklist as one of the most popular unproduced screenplays of the year.
  • Production wrapped on the feature Galileo, written by competition finalist Jen Goldson, in October 2016. At the 2015 Script Pipeline writer/industry event, Jen met director Jay Silverman and producer Bethany Cerrona, who optioned the script immediately. It took less than a year to get the film made. Santino Fontana (Crazy Ex-Girlfriend) and Dania Ramirez (Entourage, Devious Maids) star in the romcom.
  • TV Writing Competition Runner-up Laura Bensick (The Mother) signed with UTA less than a few weeks after placing in the 2016 contest.
  • Android, written by Script Pipeline Fellowship selection Matt O’Reilly, attached Aaron Paul (Breaking Bad, The Path) in October 2016. Olga Kurylenko (Quantum of Solace) set to co-star in the sci-fi/thriller and had been attached since 2015. Niall Johnson (White Noise) directing, with Infinite Studios and Picture Films producing.
  • Screenwriting finalist Andrew Martin Robinson (Cut Its Head Off) signed with Peter Katz (Story Driven) in August 2016–less than a week after his horror screenplay was circulated to Script Pipeline’s industry network.
  • Greg Martin and Eric Beu signed with Good Fear Film + Management (formerly Benderspink) in 2015. The writing duo were named the winners of the 2015 TV Writing Competition with their original pilot Beachwood.
  • Finalist Matt Altman signed with APA and Parallax Talent Management. He and co-writer David Matalon sold their feature script The Feud to Vandal Entertainment, and Matt later sold his spec Sam & Liz: A Killer Love Story to Relativity Media, and in August 2016, the script Red Widow to studio STX Entertainment.
  • Howard Jordan (Family Be Like), runner-up in the TV Writing Competition, signed with Velocity Entertainment Partners in December 2015.
  • Contest winner Jason Kaleko signed with Energy Entertainment. He was previously developing feature and TV material with Script Pipeline execs.
  • Screenwriting winner Tyler Burton Smith (Henchman) signed with WME and Grandview. He has multiple projects in development with major production companies, including Spooked, with Dan Lin producing, and Five Nights at Freddy’s, which he’s co-writing with director Gil Kenan (Poltergeist).
  • Precious Cargo, a finalist in the 2010 Script Pipeline Screenwriting Competition written by Max Adams, was released in April 2016. The film stars Bruce Willis, Mark-Paul Gosselaar, and Claire Forlani.
  • Script Pipeline “Recommend” Micah Barnett sold a one-hour drama, Ricochet, to NBC, a few years after finding management through a Script Pipeline industry contact.
  • After placing as a finalist with the horror/thriller Shed, Dennis Widmyer and Kevin Kolsch went on to direct the hit indie film Starry Eyes. They were tabbed in January 2016 to direct the sequel to Universal’s breakout horror Mama and are also attached to direct Summit Entertainment’s Exorcism Diaries.
  • Screenwriting Finalist Craig Weeden and veteran comic writer/inker Jimmy Palmiotti (Ultimate Spider-man, Jonah Hex) optioned an adaptation of Painkiller Jane to Solipsist Films (Sin City: A Dame to Kill For). The project is in development.
  • The Living Wake, Script Pipeline’s first produced film, starring Academy Award-Nominee Jesse Eisenberg (The Social Network) and comedian Mike O’Connell, was released theatrically in 2010, eliciting from Variety: “A stunning feature debut. . . . Eisenberg is note-perfect. Supporting ensemble couldn’t be more colorful.”
  • Brian Watanabe’s “Recommend” script Operation Endgame was produced with Zach Galifianakis (The Hangover), Adam Scott, Ellen Barkin, Ving Rhames, Maggie Q, Bob Odenkirk (Better Call Saul), and an ensemble cast. Script Pipeline CEO and producer Chad Clough first brought the screenplay to Sean McKittrick (Donnie DarkoBad Words) at Darko Entertainment.

Darko          Madhouse-Logo          WME

  • Screenwriter Rob Nelms was hired to pen the script Between after introductions to a director by Pipeline’s Chad Clough. The film premiered at Sundance and later aired on Lifetime.
  • Script Pipeline industry partners Marty Berneman, Eric Balfour, and Stephanie Varella (Off the Grid Entertainment) are representing the TV project Breathers, a sci-fi/drama written by TV Writing Finalist Will Wallace and based on the comic by Justin Madson.
  • Script Pipeline Screenwriting Contest winner Slammin‘ sold to Warner Bros. for six-figures in 2003. It was the competition’s first major success story, and the first Script Pipeline writer to sell a spec for over six-figures.

Many other writers have optioned their work, found paid writing jobs, produced their films, and garnered management or agency representation through Script Pipeline’s exhaustive process of industry facilitation for top screenplays and pilots.

View more Script Pipeline success stories

Grand Prize Winner
– announced late July 2017:

  • $15,000
  • Exposure to Script Pipeline’s industry network and a personalized circulation plan
  • 1-on-1 consultation sessions with the Script Pipeline development team

Runner-up – announced late July 2017:

  • $1,000
  • Exposure to Script Pipeline’s industry network and a personalized circulation plan
  • 1-on-1 consultation sessions with a development executive

Both the Grand Prize Winner and Runner-up receive these finalist benefits. . . .

Finalists (8) – top 10 announced July 1st, 2017:

  • Immediate circulation to 200 companies
  • Long-term circulation and development assistance from Script Pipeline executives–on the contest-placing script, as well as additional projects
  • Invitations to exclusive writer/industry events throughout the year, including the finalist event

Semifinalists (up to top 2% of submissions) – announced late June, 2017

Quarterfinalists (up to top 4% of submissions) – announced mid-June, 2017

Extant TheHangover MillionDollarBaby Adaline TheButler

With over 200 companies in the Script Pipeline network, industry reviewing 2017 finalists include:

  • Brooklyn Weaver (producer/manager, Energy Entertainment) – Extant
  • Jake Wagner (manager, Good Fear Film + Management)
  • Tripp Vinson (producer, Vinson Films) – Journey to the Center of the Earth, The Rite
  • Michael McKay (development exec, Lakeshore Entertainment)
  • Sean McKittrick (producer, Darko Entertainment) – Donnie Darko, Bad Words
  • Michael Ohoven (producer, Infinity Media) – Capote
  • Rob Deege (producer, Indomitable Entertainment) – Soul Surfer
  • Liz Destro (producer) – The Butler, CakeLife After Beth

Basic guidelines:

  • Cover page should include the title only. Remove any contact information (name, email address, etc.) on the script. Logline and genre on the title page as well is preferred, but not required. If contact info is left on the script, we’ll adjust the file accordingly–the writer will not be disqualified.
  • Co-writers are allowed. Only one writer needs to register.
  • PDF preferred, but will accept Final Draft, Celtx, and other file formats.
  • Script should be for a half-hour or hour-long series, original pilot or spec of a currently running show. All genres are allowed, and there are no length requirements. If it’s a multi-part series, please send only the first part.
  • No limit on the number of entries. Each entry is a separate fee.
  • Simultaneous submissions are of course allowed (i.e. you can enter other screenwriting contests with the same script).
  • Previous Script Pipeline competition entrants welcome to enter again and are guaranteed fresh reads from a new judge. Former finalists are not allowed to enter the same script again.
  • All rights to the material remain with the entrant, whether they place as a finalist or not. It is, however, recommended you copyright your material.
  • Electronic submissions only.

Some general rules:

  • The script entered must not have been produced in its full form (shorts based on the script are fine).
  • Must be at least eighteen (18) years of age at time of entry.
  • No restrictions on money earned as a writer, as long as the script entered has not been sold and is not under option at the time of entry.

View complete rules and guidelines

Script Pipeline’s criteria is based primarily on the overall quality of the script, including storytelling ability and fundamental screenplay components (e.g. dialogue, plot, structure, and characterization). Concept marketability and originality are also taken into consideration. Best piece of advice we can give all writers is to submit material that highlights your unique voice–what separates you and your script from the pack.

Although we’re strict on judging, all types of genres and styles are fair game. In the past, winning scripts have ranged from animated comedies, to microbudget indies, to dramas, true stories, and everything in-between. We’re simply looking for stellar writing.

For industry execs interested in reviewing Script Pipeline Competition finalists, email us. We will only consider those who are active producers, agents, managers, or directors. Assistance in finding new projects and writers is offered year-round at no fee.


Early Deadline: March 1st, 2017 – $50/entry

Regular Deadline: May 1st, 2017 – $55/entry

Quarterfinalists and semifinalists are selected in June 2017. The top 10 finalists are posted to the site on July 1st, and one Grand Prize Winner is announced in August 2017.


No need to re-register: writers may submit an updated draft at any time at no additional cost, provided they paid the full entry fee at the time of registration. Writers may also register now and submit the script at a later date.

Email our contest coordinator if you would like to replace your previous submission. After May 1st, however, we will not accept new drafts.


Yes. Applicants outside the US are welcome to enter this and ANY Script Pipeline contest.


For all contest entrants, we offer an exclusive discounted rate on General Notes that cover everything from plot and structure to dialogue and character. A sample can be found here. Additional notes are optional and are kept separate from the actual judging process.

*Current turnaround time for contest notes is approximately 3-5 weeks after registering and requesting feedback. Keep in mind the turnaround time is slower if submitting close to or on deadline dates, as we receive a larger number of requests. It’s highly recommended to register and request feedback as early as possible if you’re looking to revise the script and turn in a new draft prior to the final deadline. 


Only scripts are accepted. This includes hourlong, half-hour, and web or short-form series scripts. Pitches may be submitted to our Great TV Show Idea Competition.


Yes, and there is no additional fee for resubmitting. Final draft of the script must be submitted by May 1st, 2017.


Cover page should include the title only. Remove any contact information (name, email address, etc.) on the script. Logline and genre on the title page as well is preferred, but not required.

If your contact info is left on the script, we’ll adjust the file accordingly–the writer will not be disqualified. However, we can replace any previous version with one you have updated.


No. Writers may have sold or optioned material in the past, however the script you’re entering must not be currently under option, and must not have been previously produced as a feature film.


There are no restrictions on submitting to other writing competitions or sending your script elsewhere while entered in the contest.


Although a copyright is not required to enter the competition, we recommend you register your work with a copyright service, such as the U.S. Copyright Office or the Writer’s Guild of America.


Two or more writers are fine. Only one writer needs to register. For our records, please email us with the name of the other writer/s after registering.

Email our contest coordinator with any other questions.