Interview: Penelope Chai and Matteo Bernardini
Winners of the 2016 Script Pipeline Screenwriting Competition with Cinderella Must Die.
Regardless of the fact 2016 turned out to be our best year for screenwriting, with so many fantastic finalist screenplays, Cinderella Must Die was a unanimous pick for the grand prize. Personally, when I read during the quarterfinalist round, 30 pages in I stopped immediately to text Chad (Script Pipeline’s Executive Director) and our development assistant to tell them they have to read this immediately. Part of this was due to the unique spin on the fairy tale, but mostly because of your writing style.
Is style and crafting a unique voice—which is something we constantly emphasize for emerging writers—an area you feel can be refined through “deliberate practice,” meaning an element you can specifically work on, or is it something that simply comes from years of experience? What has helped each of you the most when it comes to basic writing ability?
Matteo: My first job in the industry in Italy was as a reader for a production company. And almost nothing can prepare you for how bad Italian amateur screenwriting can be (it’s a country in its infancy, craft-wise). And almost at the same time, I started reading masters–scripts by Goldman, Coppola, Gilroy. . . . I think what helped was studying the classics, to learn how high this art can fly, and (almost as important) reading a ton of garbage scripts to learn what not to do.
Penelope: I started out writing short stories and found that to be a good way to experiment with voice. There’s a flow to prose writing that helps me ‘drop’ into a character or story. Sometimes I still revert to prose to help me untangle a specific idea or character in a script. I agree with Matteo (and many other writers) that reading screenplays helps identify and develop voice, particularly scripts that are well known for being vibrant and distinctive, like Lethal Weapon. I’ve also started listening to the Blacklist Ear Movies podcast. It’s really great, and a good way to combine script ‘reading’ with grocery shopping or exercising!
Cinderella Must Die contains some universal underlying themes that helps elevate the screenplay beyond the typical adventure/fantasy. What was it about the source material that compelled you to develop the script . . .?
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