The 24th Annual Script Pipeline Screenwriting Contest is searching for extraordinary writers with feature screenplays across all genres.

The 24th Annual Script Pipeline Screenwriting Contest is searching for extraordinary writers with feature screenplays across all genres.
We focus foremost on finding writers representation, supporting diverse voices, championing ambitious storytelling, and pushing original projects into production.
We're currently the only competition offering an intensive, personalized process to our Quarterfinalists and higher: 1-on-1 development, long-term mentorship, career guidance, and circulation to leading industry execs. This has resulted in over $8 million in spec sales to studios, multiple films produced, and hundreds of emerging writers introduced to reps.
Script Pipeline selects five (5) finalists and, from that group, one winner to receive:
For Quarterfinalists (selecting up to 50, OR appx. 1% of entries) and Semifinalists (selecting up to 25):

All finalists also receive exclusive invitations to private events hosted by Symposium.

Script Pipeline has cultivated relationships with numerous production companies, managers, agents, directors, independent producers, networks, financiers, and other executives, leading to multiple writers signed, specs sold, and films produced.
A small selection of industry reviewing Pipeline selections:
Judging is based primarily on the overall quality of the writing, including storytelling ability and fundamental components (e.g. dialogue, plot, structure, and character). Concept marketability/producibility, originality, and writing style are also weighed to various degrees.
Our best piece of advice is to submit material that highlights your distinct voice—what separates your script from the norm? Although we're strict on judging and only work with a select group of writers annually, all types of genres and styles are fair game. In the past, finalist and winning scripts have ranged from microbudget indies, to true stories, big-budget sci-fi, straight genre pieces, low-concept, high-concept, and everything in-between.
Being selected as a Quarterfinalist or higher means that we feel the script has potential, the writing is above average, and it's a project we're confident in helping further develop and potentially promote to industry.
All contest judges are comprised of our in-house Script Pipeline development execs and senior-level staff. We do NOT use unpaid interns, volunteers, or "seasonal" readers, because that doesn't make sense and no one should do it ...
Basic guidelines:
The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.
Well. What’s old is new again … It’s been over 15 years since Evan Daugherty (2008 Screenwriting winner) sold Snow White and the Huntsman to Universal—in what is still one of the biggest spec sales ($3.5m) from an unproduced writer in Hollywood history. So why not another fantasy script in 2026? Paramount Primal picked up […]
Scott Wagner, winner of the First Look Project (Drama) with his screenplay Intern of the Year signed with manager Aubrey Morgan at Adventure Media in 2026. Pipeline execs called Intern of the Year, loosely based on Scott's own experiences working in a hospital, as "one of the "most riveting dramas we've ever reviewed." The Pipeline […]
Screenwriting Competition winner Untitled Home Invasion Romance (formerly Getaway) was produced in the summer of 2024 released in 2026 and is now on streaming. Jason Biggs (American Pie, Orange is the New Black) makes his directorial debut with the crime/comedy. Stars Anna Conkle (Pen15), Arturo Castro (Broad City), Meaghan Rath (Hawaii Five-o), and Justin H. […]
