Conflict is the bedrock of storytelling. Without conflict, there is no story. And without interesting characters, there is, naturally, no real reason to care. Perhaps the best movie of 2014 (and certainly in contention for best of the decade), Whiplash not only has as much conflict as many summer blockbusters but also features two of the most interesting, intense characters in recent memory. Andrew, a music student, aspires to be the next Buddy Rich. Fletcher, his instructor, considers greatness not good enough and abuse the same as inspiration. What follows is one of the most unorthodox, fierce, intense student-teacher relationships ever brought to screen. Anchored by J.K. Simmons’ profanely brilliant performance that alternates between terrifying and hilarious, often in the same scene, Whiplash brims with conflict. Fletcher pushes Andrew further than most would willingly tolerate, but most don’t have aspirations to become legendary at any cost (even friends, family, and physical well-being). As Andrew puts it, “I’d rather die broke and…
The 22nd Annual Screenwriting Competition develops talented writers and connects them with producers, agencies, and managers who can help launch their career.
Next Deadline: May 1st, 2024