Morgan Smith is a recovering visual effects producer who spent close to a decade at Industrial Light & Magic in San Francisco with credits on Rango, Star Wars Episode VII, Rogue One, and others. If you’ve ever found yourself commenting on a stormtrooper’s overly expressive death, Morgan’s work in the motion capture suit may be to blame.
Morgan strives to write grounded horror and thrillers in which the monster isn’t necessarily the scariest part. He was born and raised in Carmel, California and that is where you can find him today.
The bi-annual 2025 Script Pipeline Pitch Contest is searching for original feature film and TV series ideas to be developed into screenplays and pilots.
The 24th Annual Script Pipeline Screenwriting Contest is searching for extraordinary writers with feature screenplays across all genres.
The 19th Annual Script Pipeline TV Writing Contest is searching for extraordinary writers with original television pilots or unproduced indie series scripts.
Just a few months after the contest announcement, 2025 Screenwriting semifinalist Nick Porisch signed with manager Jake Wagner (Alibi Management). Pipeline execs helped Nick develop his Semi-placing script Beautiful Morning prior to pitching direct to Jake. From Nick: “Working with Script Pipeline has been an incredible and super rewarding process. They’ve been helpful and supportive […]
A top 10 finalist in the 2023 Screenwriting Competition, Buzzkill by Colin McLaughlin is set to be produced! Joe Lynch will direct, with Billy Magnussen (Game Night) and Lulu Wilson (Becky) to star. Read more on Deadline. Colin's horror/comedy was lauded by Pipeline execs as "one of the freshest spins on a horror concept we've […]
Script Pipeline finalist Nick Grant has signed with Zack Zucker (Bellevue) after introductions by Pipeline. The Pipeline team helped develop Nick's top-5 script POV before circulation to Bellevue and other managers. He signed with Zack only a few weeks after. Nick was also a finalist this year with a pilot (Cul-De-Sac), marking only the second […]
