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Matt Joseph Misetich

Nir Paniry

By | Exclusive Interviews

– Nir Paniry, runner-up in the 2015 Script Pipeline Screenwriting Competition with The Coyote.  What pushed you more into writing than any other field within the film industry? Besides the love of writing itself, I think it’s the autonomy of it all. Every other job in the film business relies on moving parts. If you’re a director you need a script. If you’re an editor you need a film, etc, etc. . . . You’re reliant on others in order to start creating. When you’re a writer (unless you’re on assignment) you are completely dependent on your own mind and gumption to put pen to paper. It’s insular, like painting a picture. I can think of a story tonight and start writing it tonight. There are not many  jobs in this business that function that way. And yes, ultimately if it moves up the pipeline, your story will change and morph and become a…

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Howard Jordan Jr.

By | Exclusive Interviews

– Howard Jordan Jr., runner-up in the 2015 Script Pipeline TV Writing Competition with the comedy Family Be Like. An advertising industry veteran, Howard is pursuing a career in writing television comedy. You worked for many years in advertising. Tell us a little about your background and how you transitioned into TV writing. Technically speaking, my career started at 12. I ripped ads out of magazines, rewrote, and my mother mailed them in. But it officially began when I attended masters program “slash” boot camp for wannabe advertising creatives. My first job was at a small agency in Manhattan. I worked on anything and everything. I didn’t have time, or money, to do much else. But I managed to take sitcom writing classes at night. I’ve always loved sitcoms. And I’m kind of an unofficial pop culture encyclopedia, so I figured, why not do both? However, as I advanced from junior copywriter to creative director with famous campaigns…

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Henry Dunham

By | Exclusive Interviews

– Henry Dunham, winner of the 2015 Script Pipeline Screenwriting Competition with the contained crime/thriller The Standoff at Sparrow Creek (formerly Militia), which released in January 2019. The film, his feature directorial debut, received massive praise from Rolling Stone, Birth.Movies.Death, Slash Film, and other top critics. A Detroit native and Michigan State alum, Henry has written, directed, and produced his own short films prior to Standoff. Prior to entering the Script Pipeline competition, how had you tested the waters—submitting to production companies, other contests, querying managers and agents. . . ? To be honest, I never submitted to production companies/agencies blindly before because I used to intern for them and spent a lot of the time having to actually read those blind submissions, seeing firsthand how futile a process it is. You’re not getting the attention you think you are, and some kid (like me) who’s probably very tired and probably over-worked is reading your story, and…

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