The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.
How long should my script be?
We strongly advise sticking to the industry standards as that tends to work the best for pilots (these vary by format, but roughly 25-40 pages for half-hours, 50-65 for hourlongs, and 40-55 pages for multicams). That being said, the minimum length accepted is 20 pages, and the maximum is 75.
Are notes included?
Written feedback is not included on entries, but entrants may add one-page general notes as an optional service during registration for a reduced rate. Feedback is kept separate from judging—meaning you'll have a different Pipeline development executive reviewing your contest entry, and the notes have no bearing on the judging process.
If I make updates to my script after entering, do I have to re-register and pay a new entry fee?
At no extra fee, writers may submit a new draft at any time up until the late deadline of May 31st, 2025.
Yes, this is uncommon for a contest. Yes, we're (probably) the only contest that does this. Yes, we think it should be standard.
Updated drafts may be emailed to us direct.
Should I put contact info on the cover page?
It's not required. Logline and genre on the title page is preferred, but also not required.
Are specs of existing series allowed?
We do not accept specs of existing shows, since our main goal is helping writers find reps, and reps don't typically read TV specs for consideration. Thus, all submissions must be an original pilot script.
If I place, do I retain the rights to my script?
Yes. All rights to the material remain with the writer, regardless of whether or not they win or place.
Can international writers enter?
Yes. All Pipeline contests are open to writers worldwide. Proud to say, every year we discover great new scripts from writers in Australia, Canada, the UK, Ireland, South America ... all over.
Can I submit to other contests or companies after entering?
Yes. There are no restrictions on submitting to other writing contests or fellowships, or sending your script elsewhere while entered in the contest. If your script is optioned while in competition, you'd still be eligible as long as you submitted prior to the option or shopping agreement date. If the script is sold during competition, we can pull the entry.
Are writing teams accepted?
Yes. Only one writer needs to register. If the script is selected as a Quarterfinalist, all co-writer names will be added to the announcement at that time.
Will you accept TV series pitches?
Only completed scripts are accepted. This includes hourlong, half-hour, and other types of digital series scripts.
Pitches may be submitted to our bi-annual Pitch Contest.
Short-form scripts or sketches can be submitted to Film Pipeline.
Contact our contest coordinator with any other questions.
The 23rd Annual Screenwriting Contest develops talented writers and connects them with producers, agencies, and managers who can help launch their career.
The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.
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This one is best-expressed through a timeline ... A totally easy process spanning a breezy … nine years. From Laura: "The Pipeline team has been amazingly helpful since The Mother was a finalist in the Script Pipeline TV competition years ago. It's a story that has stayed close to my heart so I ended up adapting it […]
First Look Project winner (Horror & Thriller) Kelly Walker signed with reps at Kaplan/Perrone in April 2025. The Script Pipeline team helped develop The Stag & the Bull after her FLP win and said of the screenplay "probably the best erotic thriller script we've read ..." From Kelly: "I’m so grateful to the team at […]
Winner of the 2024 First Look Project (Sci-fi) with his script Purebred, Sam Robotham signed with manager Maddy Weese at Bellevue. Pipeline execs called the script "a quietly disturbing story written with a marvelous sense of perverse mystery and true emotional depth ... definitely a writer to watch for in the years to come." Sam […]