
Amanda Kowalski is a Midwest-born and educated writer who's traveled through 70+ countries and lived in six. She writes sci-fi stories through a positive lens, examining the romantic and horrific impacts of technologies on relationships, individuals, and society. Amanda won the WeScreenplay Diverse Voices Lab with her feature THIS IS REAL, and has been a finalist in several contests with her larger portfolio of work. In her free time, she likes hanging out with her family, photography, and exploring off-the-beaten-track places.
Instagram: @itsamandakowalski
The bi-annual 2025 Script Pipeline Pitch Contest is searching for original feature film and TV series ideas to be developed into screenplays and pilots.
The 24th Annual Script Pipeline Screenwriting Contest is searching for extraordinary writers with feature screenplays across all genres.
The 19th Annual Script Pipeline TV Writing Contest is searching for extraordinary writers with original television pilots or unproduced indie series scripts.
Just a few months after the contest announcement, 2025 Screenwriting semifinalist Nick Porisch signed with manager Jake Wagner (Alibi Management). Pipeline execs helped Nick develop his Semi-placing script Beautiful Morning prior to pitching direct to Jake. From Nick: “Working with Script Pipeline has been an incredible and super rewarding process. They’ve been helpful and supportive […]
A top 10 finalist in the 2023 Screenwriting Competition, Buzzkill by Colin McLaughlin is set to be produced! Joe Lynch will direct, with Billy Magnussen (Game Night) and Lulu Wilson (Becky) to star. Read more on Deadline. Colin's horror/comedy was lauded by Pipeline execs as "one of the freshest spins on a horror concept we've […]
Script Pipeline finalist Nick Grant has signed with Zack Zucker (Bellevue) after introductions by Pipeline. The Pipeline team helped develop Nick's top-5 script POV before circulation to Bellevue and other managers. He signed with Zack only a few weeks after. Nick was also a finalist this year with a pilot (Cul-De-Sac), marking only the second […]
