Diana Wright is a comedy writer and director based in her hometown of Los Angeles, CA. Growing up with an astrophysicist dad and a mom who makes weapons for the Defense Department, Diana used comedy as a way to connect with her serious (and seriously left-brain) family.
While studying at Vassar, she interned at The Daily Show with Jon Stewart and fell in love with television and the intensely smart and passionate people who create it.
Diana currently writes for The Simpsons: Tapped Out and Best Fiends Forever mobile games. Her new web series #Hashtagging, which she wrote, directed, and produced, was an Official Selection at the 2016 New York Television Festival. Her pilot Franchise was a finalist in the Script Pipeline 2016 TV Writing Competition. And her animated pilot Magic Monkey Billionaire was one of the first four pilots placed on the Amazon Studios development slate. At the beginning of 2014, Diana was one of two people asked to join the first Nickelodeon’s Writers Room Experience in conjunction with the Nickelodeon Writing Fellowship (where she was a Finalist in 2012). Donnie Brock PI in Knock Knock, Who’s Dead?, a film noir spoof she co-wrote and is slated to direct, was named a Finalist in the LA Comedy Festival, a Semi-Finalist in the LA Comedy Shorts Festival, and a Finalist in the JuntoBox Incubator Program.
She’s also made over 60 sketches, shorts, and web series that have been featured on Comedy Central, Funny or Die, Channel 101, Cracked, Dorkly, Fark, Atom, and DipDive, among others.
She is currently seeking representation, but trying not to seem too desperate about it.
The 23rd Annual Screenwriting Contest develops talented writers and connects them with producers, agencies, and managers who can help launch their career.
The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.
The Pitch Contest reviews original film and TV series ideas for development with Script Pipeline’s executive team, prior to consideration for managers and production companies.
The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.
This one is best-expressed through a timeline ... A totally easy process spanning a breezy … nine years. From Laura: "The Pipeline team has been amazingly helpful since The Mother was a finalist in the Script Pipeline TV competition years ago. It's a story that has stayed close to my heart so I ended up adapting it […]
First Look Project winner (Horror & Thriller) Kelly Walker signed with reps at Kaplan/Perrone in April 2025. The Script Pipeline team helped develop The Stag & the Bull after her FLP win and said of the screenplay "probably the best erotic thriller script we've read ..." From Kelly: "I’m so grateful to the team at […]
Winner of the 2024 First Look Project (Sci-fi) with his script Purebred, Sam Robotham signed with manager Maddy Weese at Bellevue. Pipeline execs called the script "a quietly disturbing story written with a marvelous sense of perverse mystery and true emotional depth ... definitely a writer to watch for in the years to come." Sam […]