Born and raised in central Florida, Justin spent his childhood running around barefoot with a video camera glued to his hand.
With a lifelong dream of following in Steven Spielberg’s footsteps, Justin set out for the west coast at nineteen, where he spent the first few months bouncing between PA gigs and living out of his car. Eventually, he worked his way up the production ladder, while squeezing in late night writing sessions in pursuit of his ultimate dream.
In 2014, a family health crisis sent him and his high school sweetheart back to the east coast, where they were forced to put their careers on pause. What was meant to be a two-month hiatus turned into a three year ‘all is lost’ detour ripped straight from the pages of Blake Snyder’s “Save the Cat.” Despite the growing financial and geographical hurdle, Justin continued pursuing his dream, even when that meant restarting from the bottom. With two thousand miles between him and the industry, Justin sought alternative methods to get his material noticed.
In 2017 one of his pilots landed at the top of The Black List, where it stayed at number one for an unprecedented seventeen weeks.
In 2018, while working nineteen hour days as a PA for an east coast reality show, he decided on a whim to enter his first screenwriting contest. With a sobering One-hundred-and-thirty-two dollars in his bank account, he coughed up the $60 admissions fee and prayed for a miracle.
On July 29th, that miracle came true when he was announced the winner of Script Pipeline’s 2018 TV Writing Contest. By early August, he was jumping from one corner office to the next, meeting with top producers and agents.
With a second chance at his dream, Justin aims to write original television pilots with a twisty mix of dark comedy and complex drama. As one studio exec described his writing, “He’s like the lovechild of Shonda Rhimes and Ryan Murphy, raised by Carl Hiaasen.” A comparison he’s quite happy with.
The 23rd Annual Screenwriting Contest develops talented writers and connects them with producers, agencies, and managers who can help launch their career.
The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.
The Pitch Contest reviews original film and TV series ideas for development with Script Pipeline’s executive team, prior to consideration for managers and production companies.
The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.
This one is best-expressed through a timeline ... A totally easy process spanning a breezy … nine years. From Laura: "The Pipeline team has been amazingly helpful since The Mother was a finalist in the Script Pipeline TV competition years ago. It's a story that has stayed close to my heart so I ended up adapting it […]
First Look Project winner (Horror & Thriller) Kelly Walker signed with reps at Kaplan/Perrone in April 2025. The Script Pipeline team helped develop The Stag & the Bull after her FLP win and said of the screenplay "probably the best erotic thriller script we've read ..." Kelly's debut feature was My Fiona, which she wrote […]
2017 Screenwriting Competition winner Getaway was produced in the summer of 2024. Jason Biggs (American Pie, Orange is the New Black) makes his directorial debut with the crime/comedy. Stars Anna Conkle (Pen15), Arturo Castro (Broad City), Meaghan Rath (Hawaii Five-o), and Justin H. Lin (The Umbrella Academy). Motion Picture Corporation of America (MPCA) producing. Written […]