Rick grew up in a small town in California–so small that most people living there haven’t even heard of it. With only he and his Stephen King novels to keep him company, he fell in love with the art of writing. It wasn’t until after getting out of the military as a medic, and taking an acting class out of pure desperation for an easy elective course, did he fall in love with acting, eventually moving to Hollywood, getting his SAG card, and doing bit parts in TV shows that amounted to maybe half a full acting part.
Love for writing never fully disappeared, so he started dabbling in writing short screenplays, mainly because his brain had a hard time coming up with a feature idea worth pursuing. But eventually his first feature idea came in the Spring of 2012. . . over the next four or five months he created his first screenplay, Pewter Island. . . followed by a short victory dance.
He then was accepted into a WGA mentorship with working screenwriters for veterans of the armed services, where he met some great writers very generous with their time reading and giving feedback for his screenplays. He still takes part in that mentorship, helping him learn how to be a better screenwriter.
Conquering his first screenplay, he progressed through his second, then his third, fourth, fifth, sixth, and finally his seventh, a western he decided to send into Script Pipeline since he had a couple fans of the script. But thinking he had no chance, he forgot about the contest until he received an email saying he was one of the top two. After another short victory dance he calmed down, took a breath, and waited to hear back to see if his western is able to cross the finish line. It did.
Now he’s excited to see what’s next.
The 23rd Annual Screenwriting Contest develops talented writers and connects them with producers, agencies, and managers who can help launch their career.
The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.
The Pitch Contest reviews original film and TV series ideas for development with Script Pipeline’s executive team, prior to consideration for managers and production companies.
The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.
This one is best-expressed through a timeline ... A totally easy process spanning a breezy … nine years. From Laura: "The Pipeline team has been amazingly helpful since The Mother was a finalist in the Script Pipeline TV competition years ago. It's a story that has stayed close to my heart so I ended up adapting it […]
First Look Project winner (Horror & Thriller) Kelly Walker signed with reps at Kaplan/Perrone in April 2025. The Script Pipeline team helped develop The Stag & the Bull after her FLP win and said of the screenplay "probably the best erotic thriller script we've read ..." From Kelly: "I’m so grateful to the team at […]
Winner of the 2024 First Look Project (Sci-fi) with his script Purebred, Sam Robotham signed with manager Maddy Weese at Bellevue. Pipeline execs called the script "a quietly disturbing story written with a marvelous sense of perverse mystery and true emotional depth ... definitely a writer to watch for in the years to come." Sam […]