Sean Collins-Smith is a former midnight crime journalist, journalism professor and nurtures a life-long obsession with Bruce Springsteen. He’s lived in Richmond, Virginia, for all of his 30 years, where he graduated from Virginia Commonwealth University after studying cinema and broadcast journalism.
Sean started entering teleplay contests in 2017, when he became a finalist in the Austin Film Festival. Since then, Sean has been in a finalist in the Atlanta Film Festival, the WeScreenplay Diverse Voices Competition, and won the 2018 ISA Fast-Track Fellowship, which connected him to his eventual manager, Jewerl Ross of Silent R Management.
Sean and his wife are moving to Los Angeles in November in pursuit of a television writing career with nothing more than four pilot scripts, two cats and a dream of being a showrunner.
In “Badlands,” Bruce Springsteen declares:
“Poor man wanna be rich,
Rich man wanna be king,
And a king ain’t satisfied ‘til he rules everything,
I wanna go out tonight,
I wanna find out what I got.”
For Sean, it’s time to cross the country and find out what he’s got.
The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.
After an introduction by Script Pipeline execs, First Look Project winner Stacy Adelman signed with manager Ryan Goldblum at Ghostwriter. "I always can rely on Script Pipeline to elevate new and exciting voices," Ryan said. "This led to signing Stacy (winner of the pilot competition), and I could not be more excited to work with […]
This one is best-expressed through a timeline ... A totally easy process spanning a breezy … nine years. From Laura: "The Pipeline team has been amazingly helpful since The Mother was a finalist in the Script Pipeline TV competition years ago. It's a story that has stayed close to my heart so I ended up adapting it […]
First Look Project winner (Horror & Thriller) Kelly Walker signed with reps at Kaplan/Perrone in April 2025. The Script Pipeline team helped develop The Stag & the Bull after her FLP win and said of the screenplay "probably the best erotic thriller script we've read ..." From Kelly: "I’m so grateful to the team at […]