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2025 TV Writing Contest

Late Deadline: May 15, 2025

The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.

The 17th Annual Script Pipeline TV Writing Contest is searching for extraordinary television writers with traditional pilots or indie series scripts for exposure to production companies and managers. Together with the Screenwriting Contest, we focus specifically on finding writers representation, supporting diverse voices, championing ambitious storytelling, helping finance independent projects, and pushing original projects into production.

The company’s unique process—consisting of long-term, 1-on-1 development, extensive promotion, mentorship, and circulation of material—gives our selected writers proper guidance to advance their careers.

Deadlines

Special Entry: September 20, 2024
Pre-register: December 27, 2024
Early: March 5, 2025
Regular: May 1, 2025
Late: May 15, 2025
Extended: May 30, 2025

Results

Quarterfinalists: July 10, 2025
Semifinalists: July 20, 2025
Finalists: August 1, 2025
Winners: August 10, 2025

Awards

Script Pipeline selects five finalists and, from that group, one winner to receive:

  • $20,000 to winner; $1,000 to each finalist
  • Introductions to managers, producers, agents, directors, and other execs searching for screenplays
  • Development assistance and mentoring from Script Pipeline's team
  • Additional script reviews and consideration of other material
  • Long-term script circulation to industry and continual guidance connecting with companies
  • Final Draft 13 software, from our partners at Final Draft

PLUS: After the contest ends, all Quarterfinalists and Semifinalists receive no-cost feedback on their screenplay from Script Pipeline's development execs and consideration for industry circulation.

All finalists also receive exclusive invitations to private events hosted by Symposium.

Circulation

Script Pipeline has cultivated relationships with over 250 production companies, managers, agents, directors, independent producers, networks, and other executives over the past 25-plus years, leading to multiple writers signed, scripts making the Black List, specs sold, and films produced.

A small selection of industry reviewing Finalists:

Guidelines

Judging is based primarily on the overall quality of the script, including storytelling ability and fundamental components (e.g. dialogue, plot, structure, and character). Concept marketability/producibility, originality, and writing style are also weighed to various degrees.

Our best piece of advice is to submit material that highlights your distinct voice—what separates your script from the norm? Although we're strict on judging and only work with a select group of writers annually, all types of genres and styles are fair game. In the past, finalist and winning scripts have ranged from microbudget indies, to true stories, big-budget sci-fi, straight genre pieces, low-concept, high-concept, and everything in-between.

Being selected as a Quarterfinalist or higher means that we feel the script has potential, the writing is above average, and it's a project we're confident in helping further develop and promote to industry.

All contest judges are comprised of our in-house Script Pipeline development execs and senior-level staff. We do NOT use unpaid interns, volunteers, or "seasonal" readers ...

Basic guidelines:

  • The cover page should include the title, but you can remove any contact information (name, email address, etc.). Your entry won't be disqualified if you submit a cover page that includes contact info. Logline and genre on the cover page is preferred, but not required.
  • Co-writers are allowed.
  • PDF only. All software should have a convert to PDF function, including Final Draft, Celtx, and others.
  • Original pilots only, no specs of existing shows. Any genre.
  • Script Pipeline Screenwriting or TV Writing winners, runners-up, and finalists since 2022 are not eligible.
  • No limit on the number of entries. Each entry is a separate fee.
  • All rights to the material remain with the entrant, whether they place as a finalist or not.
  • The script entered must not have been produced in its full form. Produced short films based on the script are okay.
  • Must be at least eighteen (18) years of age at time of entry.

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Upcoming Deadlines

2025 Screenwriting Contest

Late Deadline: May 15, 2025

The 23rd Annual Screenwriting Contest develops talented writers and connects them with producers, agencies, and managers who can help launch their career.

2025 TV Writing Contest

Late Deadline: May 15, 2025

The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.

2025 Pitch Contest (Spring/Summer)

Regular Deadline: June 20, 2025

The Pitch Contest reviews original film and TV series ideas for development with Script Pipeline’s executive team, prior to consideration for managers and production companies.

2025 First Look Project

Early Deadline: June 20, 2025

The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.

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This one is best-expressed through a timeline ... A totally easy process spanning a breezy … nine years. From Laura: "The Pipeline team has been amazingly helpful since The Mother was a finalist in the Script Pipeline TV competition years ago. It's a story that has stayed close to my heart so I ended up adapting it […]

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April 30, 2025

First Look Project winner (Horror & Thriller) Kelly Walker signed with reps at Kaplan/Perrone in April 2025. The Script Pipeline team helped develop The Stag & the Bull after her FLP win and said of the screenplay "probably the best erotic thriller script we've read ..." Kelly's debut feature was My Fiona, which she wrote […]

Screenwriting Winner Getaway Produced

August 28, 2024

2017 Screenwriting Competition winner Getaway was produced in the summer of 2024. Jason Biggs (American Pie, Orange is the New Black) makes his directorial debut with the crime/comedy. Stars Anna Conkle (Pen15), Arturo Castro (Broad City), Meaghan Rath (Hawaii Five-o), and Justin H. Lin (The Umbrella Academy). Motion Picture Corporation of America (MPCA) producing. Written […]

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