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Stranger Things – Bible

By Essential Reading - Screenplays and Pilots

For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing. Although a well-written screenplay is still the best calling card an aspiring writer can have, focusing solely on the script doesn’t fully reflect the reality of the film industry. It has become increasingly common for producers, managers, and especially TV execs to request a bible or pitch deck before even reading the script, and perhaps the best example in recent years is the pitch document for Stranger Things. We’ve written about Stranger Things before, and needless to say, we’re big fans of the series (as is everyone else on the internet). This pitch deck was written before the show was picked up (the original title…

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January 2020 Script Sales

By Script Sales

Here are some of the most notable script sales from January 2020: – Previous Script Pipeline winner Evan Daugherty (Snow White and the Huntsman) will script the Anaconda remake for Columbia Pictures. The original movie was written by Hans Bauer, Jim Cash, and Jack Epps Jr. – …and previous Script Pipeline winner Tripper Clancy (Stuber) has an action/comedy series over at Quibi. Titled Die Hart, the series is written by Tripper and Derek Kolstad and directed by Eric Appel, and it stars John Travolta and Kevin Hart. – Rian Johnson’s sequel to Knives Out is in development. Johnson will write and direct, and Daniel Craig will possibly star again as well. – Jennifer Harrington’s sci-fi/action/comedy sped It’s the End of Liz as We Know It was picked up by The Detective Agency and Sony Pictures Entertainment. – Robert Sudduth’s ensemble Latina female-driven drama spec Tias found a home with Will Packer…

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Dolemite Is My Name – Screenplay

By Essential Reading - Screenplays and Pilots

Over the past few decades, Scott Alexander and Larry Karaszewski have carved a niche for themselves in Hollywood. Although they’ve written in other genres, they’ve found the most success writing biopics about off-kilter or notorious individuals. The tone of these movies combines sharp social commentary and tragicomedy to create some of the best examples of the genre. Their scripts Ed Wood, The People vs. Larry Flynt, Man on the Moon, Big Eyes, and The People v. O. J. Simpson: American Crime Story have all attracted A-list talent behind and in front of the camera because of the strength of their writing, the allure of their movies’ subjects, and the relevance of their stories’ themes. Most recently in this line of biopics is Dolemite Is My Name. Set in the 1970s, the film follows comedian Rudy Ray Moore (Eddie Murphy, in his best performance in years) as he sets out to find his…

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December 2019 Script Sales

By Script Sales

Some of the most notable script sales for December 2019: – Jimmy Warden’s untitled bear spec has found a home with Lord/Miller (Phil Lord and Chris Miller’s production company), Radio Silence, and Universal Pictures. The horror/comedy is described as a cross between Good Boys and The Revenant, and Matt Bettinelli-Olpin and Tyler Gillett will direct. – Sanjay Shah’s untitled script about an Indian boy band was acquired by Universal Pictures, Marc Platt Productions, and Lighthouse Management & Media. Nisha Ganatra is attached to direct. – Mark Fergus and Hawk Ostby were tapped to adapt the Skybound/Image comic book Stealth, written by Robert Kirkman and Marc Silvestri. Lee Daniels will produce/direct for Universal. – Anvil Pictures and Universal are moving forward with Storybook Ending. The fantasy ilm was written by Dean DeBlois and Bill Teitler, and DeBlois will also direct. – William Boyd will adapt John Treherne’s novel The Galapagos Affair…

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November 2019 Script Sales

By Script Sales

Here are some of the most notable script sales from the month of November: Erin Cressida Wilson is attached to write The Invisible Woman for Universal, based on a pitch by Elizabeth Banks. Banks is set to produce, direct, and star as well. John Logan is set to write a currently untitled Michael Jackson biopic for GK Films. The life rights were acquired from the Jackson estate. J.T. Petty to write and direct Appetite for Productivity Media and David S. Goyer’s Phantom Four Films. The thriller follows a mother’s investigation into her daughter’s disappearance, which leads to terrible consequences. Ryan Ridley’s script Renfield found a home with Skybound Entertainment and Universal. The horror/drama follows the character R.M. Renfield from Bram Stoker’s Dracula. Adam Hoff’s script Signing Day signed with Unanimous Media and Sony Pictures. The drama follows a sports agent who desperately tries to sign a coveted basketball star. Joe Epstein’s untitled horror/thriller found…

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Us – Screenplay

By Essential Reading - Screenplays and Pilots

We were huge fans of writer-director Jordan Peele’s directorial debut Get Out, so it shouldn’t come as a surprise that we also loved his recent follow-up, Us. Unlike Get Out, which was equal parts horror movie and caustic social satire, Us’s script focuses primarily on genre thrills. That’s not to say that the film is devoid of commentary, mind you. It’s just that the themes and metaphors are less transparent. While Get Out took its influences from The Stepford Wives and its message was a condemnation of a very specific type of racism, Us has more in common with horror classics like A Nightmare on Elm Street 2 and Night of the Living Dead: The social commentary exists, but it’s obliquely referenced and open to interpretation (though we definitely have our theories). But the primary driving force instead comes from character, plot, and the typical set pieces inherent in the…

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8th Annual 2019 First Look Project Results

By First Look Project Results

SCREENPLAY Action/Adventure The Motherfuckin Ruckus by Joe Tower & Alex Gradet – Winner JOE TOWER is a screenwriter and content manager specialized in entertainment marketing and developmental editing. He taught creative writing at Columbia College, was the Associate Editor for F Magazine, and founded the renowned Chicago literary series, Readings Under the Influence. As a producer for Hatbeard Company, he created long-time Los Angeles storytelling series, Tales Of Our Folly, as well as multiple podcasts, and helped found the theater company Barker Room Rep with director Mark Sitko. He’s written dozens of commercials, TV pitches, and is a published interviewer, essayist, and cultural critic. Over the course of his career, ALEXANDER GRADET has created award-winning graphics, music, lyrics, screenplays, stageplays, puppetry, comic books, commercials, promos and branding content for Disney Channel, Blue Sky Studios, DC Comics, and The American Museum of Natural History. His most recent credits include co-writing The Motherfuckin’ Ruckus with Joe…

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Indie Co-Written by Script Pipeline Contest Winner

By Slider
Writers Prarthana Mohan and Script Pipeline contest winner Kay Tuxford saw their script The MisEducation of Bindu make a rapid ascent through crowdfunding. The dramedy, which puts a new spin on the coming-of-age story, is seen through the perspective of a 14-year-old Indian girl adjusting to her first high school experience. The project was selected for Seed & Spark’s #HometownHeroes campaign, and Mark and Jay Duplass (Togetherness) came on board as executive producers in 2017. The film premiered at the Mill Valley Film Festival in 2019. Kay and her writing partner Lily Dahl won the 2016 Script Pipeline TV Writing Competition with their true story drama pilot Queen of Thieves (aka 40 Elephants). She later sent the screenplay for Bindu to the Script and Film Pipeline team, who instantly saw its potential as a standout character-driven indie. Kay and Prarthana soon landed recognition from Seed & Spark, which led to the the Duplass brothers attachment. “Winning...
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Search Party – Pilot

By Essential Reading - Screenplays and Pilots

So many elements go into a screenplay that it’s difficult to say which one is the most important (though that hasn’t stopped us in the past). Different genres require different things to succeed, but for a screenwriter just starting out, perhaps the definitive make-it-or-break-it element is voice. “Voice” is that vague amalgam of dialogue (how the characters speak), description (how the screenwriter describes the character’s actions), and theme (what the screenwriter has to say about the world at large) that makes the screenplay feel unique. It’s something that writers develop after putting in tons of time and effort, but it’s the thing that elevates a good or decent script to the next level. It’s how writers get repped, get staffed, and get hired. One of the best recent shows with a strong, unique voice is Search Party. Created by Sarah-Violet Bliss, Charles Rogers, and Michael Showalter, the show is perhaps…

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October 2019 Script Sales

By Script Sales

October was a lighter month for spec sales. New Line Cinema and A-Major Media picked up Elliott San’s untitled spec last month. Although details are being kept under wraps, it’s described as a mind-bending genre tale that centers on an Asian-American lead. Meanwhile, TriStar Pictures, Unique Features, and Arlook Group are moving forward with Cooper McMains’ spec The Tip. The thriller follows a waitress who finds herself in a dangerous situation after receiving a $10,000 tip. John Strickland will direct. Robert Zappia’s 2018 Blood List script The Devil’s Light found a home with Lionsgate and Gold Circle Films. The supernatural thriller follows a nun who performs exorcisms while combating a sexist church that believes only priests should be allowed to perform exorcisms. Other script sales: – Bret McKenzie has been tapped to write the script and music for the Jim Henson Company’s adaptation of Emmet Otter’s Jug-Band Christmas. – Evan…

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SP Contest Winner Sold “Snow White & the Huntsman” to Universal

By Slider
Script Pipeline contest directors Chad Clough and Matt Misetich connected Evan Daugherty with management after his script Shrapnel won the 2008 Script Pipeline Screenwriting Competition. Snow White and the Huntsman later sold to Universal for over $3 million--one of the biggest spec sales in history--and grossed $400 million worldwide. Evan went on to write Divergent, Teenage Mutant Ninja Turtles, and other studio projects, including a reboot of the Tomb Raider franchise. From Evan: "Script Pipeline helped launch my professional career as a writer." SUBMIT A SCREENPLAY
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Los Angeles Times Interviews Script Pipeline

By Press, Slider

In the January 19th, 2018 edition of the LA Times, Chad Clough, Script Pipeline Executive and CEO of Pipeline Media Group, was quoted on the state of the spec market: “Right now, the industry wants original voices. . . . There’s still a need for an excellent script.” Writer Chris Erskine, gleaning interviews from Clough, screenwriter Nicholas Kazan (Reversal of Fortune), and producer Elizabeth Cantillon, commented on the decline of the spec script and how a resurgence may be forthcoming: “Clough, of Script Pipeline, says the spec market could be—like old vinyl or vintage guitars—a thing of the past and the future. He cites an increasing voracious marketplace, as evidenced by Netflix’s pledge to produce 80 new original movies in 2018. So could the corpse soon rise from the dead, for a surprise Hollywood ending, even a fresh life?” Read the full LA Times article

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Writer Evan Daugherty and Script Pipeline’s Chad Clough Interviewed for Podcast

By Press, Slider

Script Pipeline CEO and producer Chad Clough alongside writer Evan Daugherty discuss how Script Pipeline helped launch Evan’s career, leading to the sale of Snow White & the Huntsman and Evan co-writing the 2014 hit films Divergent and Teenage Mutant Ninja Turtles. The two were interviewed by The Script Reporter’s Joshua Stecker. Watch the full video here  

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