For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing. Although a well-written screenplay is still the best calling card an aspiring writer can have, focusing solely on the script doesn’t fully reflect the reality of the film industry. It has become increasingly common for producers, managers, and especially TV execs to request a bible or pitch deck before even reading the script, and perhaps the best example in recent years is the pitch document for Stranger Things. We’ve written about Stranger Things before, and needless to say, we’re big fans of the series (as is everyone else on the internet). This pitch deck was written before the show was picked up (the original title…
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