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Success Stories

Over $8 million in screenplays and pilots have been sold by Script Pipeline writers as well as numerous scripts produced since 1999, a notable list that includes studio films Stuber by Tripper Clancy (Fox) and Snow White and the Huntsman by Evan Daugherty (Universal). Pipeline Screenwriting finalist Bring Me Back by Crosby Selander sold to Legendary in 2020 for seven figures—one of the all-time biggest spec sales by an unproduced writer. Helen Gaughran's winning horror script Visitation was produced, starring Olivia Cooke (House of the Dragon) and Isla Johnston (The Queen’s Gambit), releasing soon. Several Pipeline writers have made The Black List in recent years, such as Court 17 by Elad Ziv, Cauliflower by Daniel Jackson, and Pure by Catherine Schetina, with the latter two securing the #1 spot.

Over the past few decades, writers have signed with top managers and agents, landing with reps at Bellevue, UTA, Kaplan/Perrone, XYZ Management, IAG, Alibi Management, and more following Script Pipeline development and introductions.

The following is only the most notable from hundreds of success stories ...

*we're sticklers too on success story "credit," so will always be clear to indicate when Pipeline had an active role in development, and if the signing was a result of Pipeline introductions, the writer's win and exposure, or simply their hard-earned and well-deserved hustle ...

August 2, 2024

"Dream Sequence" on iHeart was created by Screenwriting Finalist Andrew Robinson. The podcast series stars Jessi Case and Alice Kremelberg as estranged sisters Kay and Sadie, who reunite when Sadie unveils her invention that records nightmares, revealing a sinister presence they must confront together to survive the tragedy that tore them apart. From Andrew: "My […]

April 26, 2024

The team at Bellevue Productions—John Zaozirny, Zack Zucker, and Maddy Weese—signed Brandon Tyson, a Screenwriting competition Quarterfinalist, in 2024 following Pipeline intros. Multiple execs reviewed Brandon’s drama feature, My Mother, Creator, Destroyer, offered feedback over the course of a year, and his final version hit the mark, with Pipeline execs calling it “emotionally intense in […]

October 18, 2023

Runner-up in the Pitch Competition, Lauren Kent had her TV pilot developed through Pipeline, but it was a new horror feature script, also developed by Pipeline, that hit the mark months later: Pipeline connected her with a producer, who then connected her with management at XYZ Films. She went on to co-write and develop a […]

October 10, 2023

Two-time winner of the First Look Project, Brian T. Arnold is adapting a reboot of the 80s cult classic Electric Dreams. Paul Davidson set to direct. Read the blurb on Variety.

August 9, 2023

Lesley Fera, runner-up in the 2022 TV Writing Competition with her pilot Inconceivable, signed with manager Jeff Portnoy in summer 2023.

March 15, 2023

Zac Kish signed with manager Maddy Weese (Bellevue) after developing his screenplay Hurt with Pipeline, completing a multi-medium journey for the project … Originally on our radar after winning the 2017 First Look Project, Zac placed in the 2022 Film Pipeline Competition with the short script version of Hurt.  Pipeline Artists later published the short story adaptation in March 2023. Another screenplay, Pig […]

December 15, 2022

Multiple Script Pipeline writers have made The Black List over the years, from 2021-2022, we had a streak ... In 2021: Screenwriting Contest Winner Cauliflower by Daniel Jackson, which secured the #1 spot, First Look Project winner The End by Brian T. Arnold, and It Was You by First Look Project finalist Will Yu. In 2022: Screenwriting Finalist Pure by Catherine Schetina, which […]

April 1, 2022

Manager John Zaozirny (Bellevue Productions) signed First Look Project winner Elad Ziv following introductions by Script Pipeline. Elad won the sci-fi category of the 2021 FLP contest with his “intense, genre-bending” script Court 17 (previously titled Loser), which Script Pipeline execs helped develop prior to industry circulation. From Elad: "I am so thrilled to be working with Bellevue. […]

January 5, 2022

First Look Project winner Morgan Smith signed with Jake Wagner of Alibi Management just a few days after introductions by Pipeline. His script Bad Dog won the 2021 FLP season in the Horror category.

March 15, 2021

First Look Project winner Brian T. Arnold (The End) found rep with John Zaozirny and Kate Sharp at Bellevue following Pipeline introductions, and shortly thereafter signing with agents Sheryl Petersen, Adam Perry, and Halle Mariner at IAG. In 2023, Brian was hired to pen a reboot of the 1980s cult classic Electric Dreams. He was also […]

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Upcoming Deadlines

2025 Pitch Contest (Spring/Summer)

Regular Deadline: June 20, 2025

The Pitch Contest reviews original film and TV series ideas for development with Script Pipeline’s executive team, prior to consideration for managers and production companies.

2025 First Look Project

Early Deadline: June 20, 2025

The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.

Latest Success Stories

Script Pipeline TV Finalist Signed by Stonesong

May 9, 2025

This one is best-expressed through a timeline ... A totally easy process spanning a breezy … nine years. From Laura: "The Pipeline team has been amazingly helpful since The Mother was a finalist in the Script Pipeline TV competition years ago. It's a story that has stayed close to my heart so I ended up adapting it […]

First Look Project Winner Lands at Kaplan/Perrone

April 30, 2025

First Look Project winner (Horror & Thriller) Kelly Walker signed with reps at Kaplan/Perrone in April 2025. The Script Pipeline team helped develop The Stag & the Bull after her FLP win and said of the screenplay "probably the best erotic thriller script we've read ..." From Kelly: "I’m so grateful to the team at […]

First Look Winner Sam Robotham Signs w/Manager

March 21, 2025

Winner of the 2024 First Look Project (Sci-fi) with his script Purebred, Sam Robotham signed with manager Maddy Weese at Bellevue. Pipeline execs called the script "a quietly disturbing story written with a marvelous sense of perverse mystery and true emotional depth ... definitely a writer to watch for in the years to come." Sam […]

Script Pipeline connects writers with producers, agents, and managers, facilitating over $8 million in sales through competitions and ongoing industry support, helping launch major films and secure high-profile representation since 1999.
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