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Review and Development

As one of the longest-running notes services, the Script Pipeline Workshop is rooted in three goals: help writers improve their craft, connect them with representation, and push more scripts to production.

FAQ

How do I submit?

Click “submit” at the top of this page and follow the on-screen prompts. You’ll receive a confirmation email with further info after registering. After registration, email your materials in PDF format to our coordinator.

Can I request a specific development exec?

Yes! If you had a particular reader last time, just let us know, and if they’re available, we can match you up with them again.

Who are the readers?

Our readers are Script Pipeline executives with 5 to 20+ years of experience in the industry. Their backgrounds include roles at major agencies, production companies, studios, and networks—specifically in material review and story development.

What if my script is on the longer side?

First: we’d strongly recommend cutting it down. However, we understand some scripts run long because of the nature of the project. Contact us if your script is longer than 130 total pages (not including cover page), as there is an additional $2/page fee over 130.

Do you circulate scripts that receive a Recommend to industry? What is a “Recommend” anyway?

A “Recommend” means we believe your script is very well-written and ready for industry circulation. These scripts are considered for circulation to our manager, producer, and agency contacts, as well as potential inclusion on Pipeline: Scout.

If one of our readers flags your work, you’ll receive a final review from a Senior Executive. They’ll meet with you to offer feedback and may discuss other scripts you’re developing. In most cases, our team works long-term with Recommend writers to help guide their careers. There is no additional fee for this post-Recommend process.

Should I include a logline?

While not required, we do prefer a logline to accompany your submission—either on the cover page or in the body of your email.

Can writers outside the US submit?

Yes. Writers outside the US are welcome to submit their work. However, we only accept scripts written in English.

Do you accept AI-written screenplays?

No. Ethical considerations aside, this is a writing competition and development platform, so we expect screenplays to be written by good ol' fashioned humans.

Still have questions?

Contact our coordinator for anything not covered here.

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Upcoming Deadlines

2026 First Look Project

Regular Deadline: September 30, 2026

The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.

Latest Success Stories

Paramount Buys Spec from Screenwriting Winner

August 13, 2026

Well. What’s old is new again … It’s been over 15 years since Evan Daugherty (2008 Screenwriting winner) sold Snow White and the Huntsman to Universal—in what is still one of the biggest spec sales ($3.5m) from an unproduced writer in Hollywood history. So why not another fantasy script in 2026? Paramount Primal picked up […]

"First Look Project" Winner Signs w/Adventure Media

August 3, 2026

Scott Wagner, winner of the First Look Project (Drama) with his screenplay Intern of the Year signed with manager Aubrey Morgan at Adventure Media in 2026. Pipeline execs called Intern of the Year, loosely based on Scott's own experiences working in a hospital, as "one of the "most riveting dramas we've ever reviewed." The Pipeline […]

"Untitled Home Invasion Romance" Released in 2026

August 2, 2026

Screenwriting Competition winner Untitled Home Invasion Romance (formerly Getaway) was produced in the summer of 2024 released in 2026 and is now on streaming. Jason Biggs (American Pie, Orange is the New Black) makes his directorial debut with the crime/comedy. Stars Anna Conkle (Pen15), Arturo Castro (Broad City), Meaghan Rath (Hawaii Five-o), and Justin H. […]

Script Pipeline connects writers with producers, agents, and managers, facilitating over $8 million in sales through competitions and ongoing industry support, helping launch major films and secure high-profile representation since 1999.
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