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2025 First Look Project

Early Deadline: June 20, 2025

The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.

FAQ

What are the submission deadlines and fees?
  • Special Entry: February 20, 2025 - $30
  • Pre-register: April 1, 2025 - $40
  • Early: June 20, 2025 - $50
  • Regular: September 30, 2025 - $55
  • Extended: October 30, 2025 - $65

Can I update m draft after entering?

We'll accept updated drafts (no extra fee) up until the final deadline October 30th, 2025. Email us direct.

Do you accept other genres?

Genres adjacent to the current categories may be submitted. For example, Western, Fantasy, Adventure ... those could all fall under Action & Sci-fi. While Crime or Mystery would fall under Horror & Thriller. If you're unsure of which category to submit to, feel free to email us for clarification. Any script genre will fit into a proper First Look category.

What should go on the title page?

Contact info can be on the cover page. Logline and genre is preferred, but not required.

How is the First Look Project different from Script Pipeline’s other contests?

The main difference would be the judging criteria. Our annual Screenwriting and TV Writing contests are critiqued almost exclusively on their writing ability for film and television.

The First Look Project, however, focuses on both writing ability and "marketability" (a term we don't particularly like because marketability is subjective, but basically a unique concept in line with current trends and industry preferences). Something relevant that twists the genre or hits on relatable themes will fare well.

Writing ability is obviously still critical, but the script needn't be "circulation-ready" if it leans on a great premise. All winners and runners-up will go through in-house development with Script Pipeline execs prior to circulation, if necessary. We want promising writers with big, fresh ideas. Those who we can work with now and in the future.

Do I retain the rights to my script?

Yes. All rights to the material remain with the writer, regardless of whether they place.

Can international writers enter?

Yes, applicants outside the US are welcome to enter ANY Script Pipeline contest.

Are notes included?

Written feedback is not included on entries, but entrants may add general notes (appx. one page of feedback) during registration, for a reduced rate. Feedback is kept separate from judging—meaning you'll have a different executive reviewing your contest entry, and the notes have no bearing on the judging process.

Turnaround time will vary throughout the year, please ask our coordinator for current turnarounds.

Alternatively, full notes from one of our development execs can be requested through The Workshop.

Can I submit to other contests or companies after entering?

Yes. There are no restrictions on submitting to other writing contests, programs, etc., or sending your script to industry while in competition.

Will you accept short scripts or pitches?

Only full-length feature and TV scripts are accepted. Pitches may be submitted to our Pitch Contest. Short scripts may be submitted to Film Pipeline.

Contact our contest coordinator with any other questions.

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Upcoming Deadlines

2025 Screenwriting Contest

Late Deadline: May 15, 2025

The 23rd Annual Screenwriting Contest develops talented writers and connects them with producers, agencies, and managers who can help launch their career.

2025 TV Writing Contest

Late Deadline: May 15, 2025

The 18th Annual TV Writing Contest searches for extraordinary writers and pilots, connecting them with production companies, agencies, and managers.

2025 Pitch Contest (Spring/Summer)

Regular Deadline: June 20, 2025

The Pitch Contest reviews original film and TV series ideas for development with Script Pipeline’s executive team, prior to consideration for managers and production companies.

2025 First Look Project

Early Deadline: June 20, 2025

The 14th Annual First Look Project searches for higher-concept material across MULTIPLE categories for film and TV, introducing select writers to reps and producers.

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