• Special Entry: February 5, 2026 - $35
• Pre-register: April 10, 2026 - $45
• Early: June 25, 2026 - $55
• Regular: September 30, 2026 - $60
• Late: October 15, 2026 - $65
• Extended: October 30, 2026 - $70

Can I update my draft after entering?

We'll accept updated drafts (no extra fee!) up until the final deadline October 30, 2026. Email us direct.

Are notes included?

Written feedback is not included on entries, but entrants may add general notes (appx. one page of feedback) during registration, for a reduced rate. Feedback is kept separate from judging—meaning you'll have a different executive reviewing your contest entry, and the notes have no bearing on the judging process.

Turnaround time will vary throughout the year, but expect notes to be sent after judging wraps.

Alternatively, full notes from one of our development execs can be requested (and received faster) through The Workshop.

Do you accept other genres?

Genres adjacent to the current categories may be submitted. For example, Western, Fantasy, Adventure ... those could all fall under Action & Sci-fi. While Crime or Mystery would fall under Horror & Thriller. If it's something that's more akin to, say, Everything Everywhere All at Once, we'll let you decide which genre it favors. 

Unsure of which category to submit to? Feel free to email us for clarification. 

What should go on the title page?

Contact info can be on the cover page. Logline and genre for this contest is preferred but not required.

How is the First Look Project different from Script Pipeline’s other contests?

The main difference is the judging criteria. Our annual Screenwriting and TV Writing contests are critiqued almost exclusively on their writing ability for film and television.

The First Look Project, however, focuses on both writing ability and "marketability" (a term we don't particularly like because marketability is subjective, but basically a unique concept in line with current trends and industry preferences). Something relevant that twists the genre or hits on relatable themes will fare well.

Writing ability is obviously still critical, but the script needn't be "circulation-ready" if it leans on a great premise. All winners will go through in-house development with Script Pipeline execs prior to circulation, if necessary. We want promising writers with big, fresh ideas. Those who we can work with now and in the future.

Do I retain the rights to my script?

All rights to the material remain with the writer, regardless of whether they're selected or not.

Can international writers enter?

Yes, applicants outside the US are welcome to enter ANY Script Pipeline contest.

Can I submit to other contests or companies after entering?

Yes. There are no restrictions on submitting to other writing contests, programs, etc., or sending your script to industry while in competition.

Will you accept short scripts or pitches?

Only full-length feature and TV scripts are accepted. Pitches may be submitted to our Pitch Contest. Short scripts may be submitted to Film Pipeline.

Contact our contest coordinator with any other questions.